Status
Released
original language
English
Budget
$ 0
Revenue
$ 0

Billy Chapman

Pamela Sims

Charlie (Shotgun Santa)

Dean Sims

Max Benedict

Young Billy

Geoffrey Chapman

Elroy (The Snatcher)

Harold

Delphine Anderson

George Vilmo

Tara Chapman

Little Girl (Max Flashback)

Tommy

Little Girl In Trailer

Little Boy In Trailer

Blindfolded Hispanic Woman

Strangle Victim

Ray

Grandpa

Alice (Old Woman)

Nurse

Bow And Arrow Victim

Dana

Rebecca

Liam

Celia

Celia’s Mother

Little Boy

Cop #1

Cop #2

Greasy Mechanic

Liquor Store Clerk

Hannah

Gail

Laughing Boy

Coach

Foreman

Chainsaw victim

Teenage Billy

Foster Mom

Foster Brother

Xavier

Stand-In

Stand-In

Written by Geronimo1967 on 2025-12-19
This reminded me a bit of “Violent Night” (2022) as it rather challenges the typical image of the avuncular Santa Claus. This one, here, is much more focussed on the folks who have been naughty, and with his advent calendar counting down with it's own sort of macabre biometric souvenirs, he has only four days left to complete his latest annual search for some nasties. “Billy” (Rohan Campbell) is the man whom we know dons the suit and who is egged on by a violent devil on his shoulder to keep motivated, but when they arrive in a small town preparing for the festivities, he meets “Pamela” (Ruby Modine) and, well let’s just say he becomes distracted. The thing is, though, if he doesn’t visit vengeance on someone suitable then someone else will die - and they may well not be so deserving. He has to focus. Now this town isn’t without it’s candidates, not least a group of Neo-Nazis having a barn dance, but unlike some other super-heroes, poor old “Billy” feels it when he is punched, shot or stabbed, so he has his work cut out to fulfil his task and keep “Pammy” out of it! This must have been made on a fairly tight budget because there are a few (dozen) continuity errors, the dialogue is fairly basic and the plot has been stretched out just a bit too much to justify this as feature length, but that said - it’s an enjoyable romp that I can imagine Charles Dickens could have imagined as “Billy” visits some terminal Christmas gifts on the ghastly. On that front, Campbell delivers fine as do the “Venom”-style voices in is head that aren’t anywhere as indiscriminately brutal as we might expect. I suspect that there will be a sequel along next year: it has something of the gift that keeps giving to it, and I did quite enjoy it.