Status
Released
original language
English
Budget
$ 46000000
Revenue
$ 107626125
John Shaft
Carmen Vasquez
Peoples Hernandez
Walter Wade, Jr.
Rasaan
Jack Roselli
Diane Palmieri
"Uncle" John Shaft
Jimmy Groves
Curt Flemming
Carla Howard
Walter Wade Senior
Judge Dennis Bradford
Luger
Lt Kearney
Lucifer
Alice
Lt. Cromertie
Harrison Loeb
Frank Palmieri
Mike Palmieri
Big Raymond
Bonehead
Tattoo
Dominican
Trey Howard
Cornbread
Ivy
Uniform Sergeant
Mrs Ann Palmieri
Asst DA Hector Torres
Terry
Leon
DA Andrew Nicoli
Golem
Malik
Malik's Crew
Malik's Crew
Malik's Crew
Malik's Crew
Aunt Toni DeCarlo
News Anchor
Trey's Friend
Trey's Friend
Walter's Friend
Walter's Friend
Walter's Friend
Walter's Friend
Walter's Friend
Desk Sergeant
Uniform Cop in Metronome
Abused Woman
Lamont
Karen
Judge
Pistolero
Pistolero
Pistolero
Enforcer
Young Blood
Young Blood
Fighting Boy
Fighting Boy
Fat Man
Construction Worker
Bystander at Metronome
Bystander at Metronome
Bystander at Metronome
Lenox Lounge Patron
"Uncle" John Shaft's Girlfriend (uncredited)
Arresting Officer (uncredited)
(uncredited)
Bystander at Metronome (uncredited)
Girlfriend (uncredited)
Bystander at Metronome (uncredited)
Police Officer (uncredited)
Mr. P (uncredited)
Plane Door Opener (uncredited)
(uncredited)
Police Officer (uncredited)
Dominican #5 (uncredited)
Paramedic (uncredited)
Protester (uncredited)
Desk & Cell Officer (uncredited)
Peoples Crew (uncredited)
Waitress (uncredited)
Young Man (uncredited)
Club Kid (uncredited)
Detective (uncredited)
Sgt. Council (uncredited)
(uncredited)
Lenox Lounge Patron (uncredited)
Lenox Lounge Patron (uncredited)
Protester (uncredited)
Sexy Girl (uncredited)
Bored Cop with Tea Cup (uncredited)
Mickey Hunt (uncredited)
Pistolero (uncredited)
Fatman (uncredited)
Written by John Chard on 2015-07-06
I know cats who'd take out whole zipcodes for that kind of cheese. Remakes do work occasionally, case in point Shaft, John Singleton's update of the 1971 Blacksploitation movie that starred Richard Roundtree as the title character. Roundtree gets a part in this one as well, playing the uncle of Samuel L. Jackson's title character, John Shaft. It's the perfect role for Jackson, lashings of cool and menace, on his bulky shoulders dose the film easily rest. Plot finds Shaft turning in his badge after the law proves useless to let racist murderer Walter Wade Junior (Christian Bale a sneering villain but awesome looking in a tux) out on the streets. Shaft vows to bring Wade to justice, by any means necessary. Though he also has other things on his plate, namely Latino drug lord Peoples Hernandez (Jeffrey Wright a riot) and some less than honourable police officers. The screenplay is a little trite, but as an action movie, one with the coolness and sparky humour, it really hits the required spots of those just after such easy minded fare. The support cast is a roll call of sound performers with the likes of Vanessa Williams, Dan Hedaya and Toni Collette fronting up, while the awesome ebullience of Busta Rhymes is very infectious. Isaac Hayes gloriously famous theme tune is still in place, pumped up by composer David Arnold, which ensures the feel of the original isn't lost, and Donald E. Thorin's photography is pin sharp and in turns gorgeous (night shots) and streetwise gritty. Shaft, the 2000 version, still bad-ass and sadly under appreciated. 7/10
Written by Wuchak on 2021-08-08
_**A black detective in Gotham desperately wants to nail a snooty racist murderer**_ The nephew of the original John Shaft is a detective in New York City (Samuel L. Jackson) where he tries to apprehend an arrogant racist killer (Christian Bale) by finding a key witness (Toni Collette) while dealing with a gang lord (Jeffrey Wright) and corrupt cops. Vanessa Williams is on hand as a helpful officer. “Shaft” (2000) is a ‘hip’ crime thriller that resurrects the franchise 27 years after the original trilogy from 1971-1973 that featured Richard Roundtree in the title role (he returns here as the aged uncle). The cast and filmmaking are fine; the problem is the lame story with which they’re shackled. The key crime in the opening act is glaringly weak. Bale’s character is a snooty punk born with a silver spoon in his mouth, but I didn’t buy his rash, racist actions at the night club. It just didn’t ring true, especially since he seems to get along with black people just fine the rest of the movie. Likewise, Collette’s actions aren’t convincing as the doe-eyed bartender. Simply put, the scriptwriters tried too hard to concoct a racist whitey villain when subtly was in order. If you can roll with that serious flaw, there are enough thrills to amuse, including Jackson as the bad axx protagonist and Wright’s entertaining drug lord. Plus it’s always good to see the charming Vanessa Williams. The film runs 1 hour, 39 minutes, and was shot in various areas of New York City, as well as nearby Newark. GRADE: C-