Status
Released
original language
ja
Budget
$ 0
Revenue
$ 0
Kiichi Nakajima
Domestic Court Counselor Dr. Harada
Jiro Nakajima
Yamazaki, Yoshi's husband
Toyo Nakajima
Sue Nakajima
Yoshi Nakajima
Kimie Nakajima
Asako Kuribayashi
Ryoichi Sayama
Mr. Kuribayashi father
Old man from Brazil
Ichiro Nakajima
Okamoto
Judge Araki
Factory Worker Ishida
Satoko
Hori, the lawyer
Psychologist
Landowner
Factory Worker after Fire
Chunky Jailbird
Workers' Older Family Member
Worker family member
Susumu
Secretary Tamiya
Susumu's wife Sumiko
Taeko
Factory worker
Skinny Jailbird
Foundry employee (uncredited)
Psychiatric nurse (uncredited)
Written by Geronimo1967 on 2022-11-14
This is a far cry from the usual Kurosawa/Mifune effort; indeed in this, Toshirô Mifune is almost unrecognisable. No brave, honourable Samurai this time, but an elderly foundry-owner who is paranoid about the potential impact of nuclear war on his family. To this end, he is determined to sell up and relocate his family to Brazil. The family don't fancy this idea much and try to have him certified. What ensues is a battle of wills, priorities and personalities set against a traditional set of Japanese family structures and values. Viewed, largely, from the perspective of independent arbiter "Dr. Harada" (Takashi Shimura) who has been drafted in to help settle the matter amicably; we visit the perfectly valid (though frequently selfish) approaches taken by both Mifune and his family - who have plenty of scores to settle amongst themselves - as the film tries to establish the best course of action to satisfy both parties. There is quite an interesting scene mid-way through when at the height of their dispute, the old man returns to the court armed with bottles of pop which he has bought for his family to help combat the unrelenting heat, indicating that he clearly still cares greatly for his family, even though they are at loggerheads... and for me, that rather sums the whole thing up - there isn't necessarily a right or wrong solution; it's about individuality and choice but ultimately the happiness of others; and Mifune is great. I found the last fifteen minutes quite sad, perhaps building on the old adage about families and money. Japan, for a good while, struggled to reconcile itself to the realities of a post-Hiroshima threat, so from an observer some 6,000 miles away it can be hard to understand just how viscerally the danger of repetition was taken by many - this film is a thought provoking, emotional - and, at times humorous, glimpse into that fear.