Status

Released

original language

English

Budget

$ 20000000

Revenue

$ 306889114

Top Billed Cast

Richard Dreyfuss

Roy Neary

François Truffaut

Claude Lacombe

Teri Garr

Ronnie Neary

Melinda Dillon

Jillian Guiler

Bob Balaban

David Laughlin

J. Patrick McNamara

Project Leader

Warren J. Kemmerling

Wild Bill

Roberts Blossom

Farmer

Phil Dodds

ARP Musician

Cary Guffey

Barry Guiler

Shawn Bishop

Brad Neary

Adrienne Campbell

Sylvia Neary

Justin Dreyfuss

Toby Neary

Lance Henriksen

Robert

Merrill Connally

Team Leader

Amy Douglass

Implantee

Gene Dynarski

Ike

Carl Weathers

Military Policeman

Norman Bartold

Norman Bartold

F.J. O'Neil

ARP Project Member

Hal Barwood

Returnee #2 Flt. 19

Matthew Robbins

Returnee #3 Flt. 19

Gene Rader

Hawker

Daniel Nunez

Federale

Chuy Franco

Federale

Luis Contreras

Federale

Galen Thompson

Special Forces

John Dennis Johnston

Special Forces

Robert Broyles

Dirty Tricks #3

George DiCenzo

Major Benchley

Alexander Lockwood

Implantee

Josef Sommer

Larry Butler

Bill Thurman

Air Traffic

James Keane

Radio Telescope Team

Philip Dodds

Jean Claude

Mary Gafrey

Mrs. Harris

Michael J. Dyer

Himself

Roger Ernest

Highway Patrolman

Randy Hermann

Returnee #1 Flt. 19

David Anderson

Air Traffic Controller

Richard L. Hawkins

Air Traffic Controller

Craig Shreeve

Air Traffic

Roy E. Richards

Air East Pilot

Eumenio Blanco

Federale

Dennis McMullen

Radio Telescope Team

Cy Young

Radio Telescope Team

Tom Howard

Radio Telescope Team

Richard Stuart

Truck Dispatcher

Bob Westmoreland

Load Dispatcher

Matt Emery

Support Leader

John Ewing

Dirty Tricks #1

Kirk Raymond

Dirty Tricks #4

Keith Atkinson

Dirty Tricks #2

Monty Jordan

Special Forces Commander / Helicopter Pilot (uncredited)

Basil Hoffman

Longly (uncredited)

Stephen Powers

UN Observer (uncredited)

J. Allen Hynek

Man Smoking Pipe at Landing Site (uncredited)

Howard K. Smith

Howard K. Smith (uncredited)

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Movie Reviews

A review by IanBeale

Written by IanBeale on 2017-02-16

**Do the mashed potato!** Roy Neely is a gas repair man who has a close encounter with an alien craft and begins having strange visions of mashed potatoes, shaving cream and mud mountains. This all leads to Needy's marriage breaking up and he sets out to find the truth about his mashed potato visions. The climax at a mountain is breathtaking when Neely comes face to face with his destiny. One of Spielberg's best with a nice cameo by French director Francois Truffaut.

A review by Geronimo1967

Written by Geronimo1967 on 2023-06-04

I always remember as a child hoping/praying that if extra terrestrials ever did come to visit us, that they wouldn't arrive in America. Think "The Day the Earth Stood Still" (1951) or most other sci-fi stories: the first things they would see when they opened their door would be guns, tanks, missiles, soldiers... This film takes a far more sophisticated approach to how we might engage with an alien species, and together with some super effects and a far more nuanced storyline leaves us with room for optimism that we might not just try to shoot first and ask questions afterwards - should anyone ever do arrive. Spielberg was still, in my view anyway, learning his craft when he wrote/directed this and that shows in the real paucity of pace for the first hour. Richard Dreyfuss is adequate, but the constantly amazed/perplexed looks on his face start to become annoying after a while. François Truffaut features now and again - largely as part of a parallel storyline - but really, this only begins to engage in the last thirty minutes when the threads all knit together giving us a clever denouement as the scientists discover an innovative, musical, way to communicate that doesn't involved threats and bullets. Oddly enough, even when I first saw this at the age of 9, I never got any sense of menace from our travellers and the absence of any substantial physical form for us to identify with seems to help keep the magic working. Not John Williams' finest work, I thought the score suffered from the slow rate of progress with the plot but the symbolism and curiosity of spirit this film engenders makes it still, just about, worth sticking though...