Status
Released
original language
English
Budget
$ 20000000
Revenue
$ 306889114

Roy Neary

Claude Lacombe

Ronnie Neary

Jillian Guiler

David Laughlin

Project Leader

Wild Bill

Farmer

ARP Musician

Barry Guiler

Brad Neary

Sylvia Neary

Toby Neary

Robert

Team Leader

Implantee

Ike

Military Policeman

Norman Bartold

ARP Project Member

Returnee #2 Flt. 19

Returnee #3 Flt. 19

Hawker

Federale

Federale

Federale

Special Forces

Special Forces

Dirty Tricks #3

Major Benchley

Implantee

Larry Butler

Air Traffic

Radio Telescope Team

Jean Claude

Mrs. Harris

Himself

Highway Patrolman

Returnee #1 Flt. 19

Air Traffic Controller

Air Traffic Controller

Air Traffic

Air East Pilot

Federale

Radio Telescope Team

Radio Telescope Team

Radio Telescope Team

Truck Dispatcher

Load Dispatcher

Support Leader

Dirty Tricks #1

Dirty Tricks #4

Dirty Tricks #2

Special Forces Commander / Helicopter Pilot (uncredited)

Longly (uncredited)

UN Observer (uncredited)

Man Smoking Pipe at Landing Site (uncredited)

Howard K. Smith (uncredited)
Written by IanBeale on 2017-02-16
**Do the mashed potato!** Roy Neely is a gas repair man who has a close encounter with an alien craft and begins having strange visions of mashed potatoes, shaving cream and mud mountains. This all leads to Needy's marriage breaking up and he sets out to find the truth about his mashed potato visions. The climax at a mountain is breathtaking when Neely comes face to face with his destiny. One of Spielberg's best with a nice cameo by French director Francois Truffaut.

Written by Geronimo1967 on 2023-06-04
I always remember as a child hoping/praying that if extra terrestrials ever did come to visit us, that they wouldn't arrive in America. Think "The Day the Earth Stood Still" (1951) or most other sci-fi stories: the first things they would see when they opened their door would be guns, tanks, missiles, soldiers... This film takes a far more sophisticated approach to how we might engage with an alien species, and together with some super effects and a far more nuanced storyline leaves us with room for optimism that we might not just try to shoot first and ask questions afterwards - should anyone ever do arrive. Spielberg was still, in my view anyway, learning his craft when he wrote/directed this and that shows in the real paucity of pace for the first hour. Richard Dreyfuss is adequate, but the constantly amazed/perplexed looks on his face start to become annoying after a while. François Truffaut features now and again - largely as part of a parallel storyline - but really, this only begins to engage in the last thirty minutes when the threads all knit together giving us a clever denouement as the scientists discover an innovative, musical, way to communicate that doesn't involved threats and bullets. Oddly enough, even when I first saw this at the age of 9, I never got any sense of menace from our travellers and the absence of any substantial physical form for us to identify with seems to help keep the magic working. Not John Williams' finest work, I thought the score suffered from the slow rate of progress with the plot but the symbolism and curiosity of spirit this film engenders makes it still, just about, worth sticking though...