Status
Released
original language
English
Budget
$ 32000000
Revenue
$ 61477797
Tom Stall / Joey Cusack
Edie Stall
Carl Fogarty
Richie Cusack
Jack Stall
Sheriff Sam Carney
Leland
Billy
Bobby
Judy Danvers
Mick
Charlotte
Sarah Stall
Charlie Roarke
Frank Mulligan
Jenny Wyeth
Ruben
Pat
Bobby's Buddy
Shoe Saleswoman
Richie's Thug
Richie's Thug
Richie's Thug
Local TV Reporter
Local TV Reporter
Baseball Coach
TV Broadcaster
Motel Girl
Kid in Diner
Kid in Diner
Hospital Well-Wisher
Orderly
Written by Ruuz on 2018-09-07
Probably Cronenberg's most mundane work, but that's not even remotely a knock against _A History of Violence_. I hear tell that fans of the comic don't much like this big screen re-telling, but I've never read it, so I'm gonna go ahead and really enjoy it anyway. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Written by Geronimo1967 on 2024-03-09
We start with images of two rather brutal hoodlums who have robbed and massacred the staff at a roadside motel and then sort of follow them into a town where "Tom" (Viggo Mortensen) runs the diner. They stop by one afternoon, intent on causing a bit of mayhem, only to discover that their host is a bit more capable of defending himself than they'd anticipated. Quickly "Tom" is lauded as an hero, and wife "Edie" (Maria Bello) and kids "Jack" (Ashton Holmes) and "Sarah" (Heidi Hayes) are proud to have their dad at home. What he hadn't anticipated, though, is that the publicity would attract the attention of one-eyed gangster "Fogarty" (Ed Harris) who arrives and starts calling him "Joey". Who's "Joey"? Well we quickly find out that nothing is as it seems and we gradually begin to realise that the past always has an habit of catching up with you. This is a violent film, but oddly enough I felt it rather visually tame as the pieces start to fall into place and the arrival of William Hurt signals an escalation that cleverly marries the comically menacing with the somewhat predictable conclusion. There's not a great deal of dialogue here, though not quite on the Clint Eastwood scale, and Mortensen holds it together increasingly well as we move along. It's one of the few films that I feel could have added half an hour or so, just so we get to grips a bit better with the characterisations and concomitant baggage, but as it is - it's well worth a look.