Status
Released
original language
English
Budget
$ 58000000
Revenue
$ 316800000
John Nash
Alicia Nash
William Parcher
Charles Herman
Dr. Rosen
Martin Hansen
Richard Sol
Bender
Helinger
Ainsley Neilson
Thomas King
Marcee
Bar Co-Ed
Prof. Horner
Becky
Captain
General
Analyst
MIT Student
Photographer
Governor
Young Man
Harvard Administrator
Princeton Professor
John Nash Teenager
John Nash Young Man
Princeton Student
White-Haired Patient
Code-Red Nurse
Adjunct
Joyce
Young Professor
Blond in Bar
Brunette
Brunette
Brunette
Brunette
Pen Ceremony Professor
Pen Ceremony Professor
Toby
Student at Harvard University (uncredited)
Princeton Student (uncredited)
Girl at Bar
Written by Geronimo1967 on 2024-04-07
Russell Crowe and Ron Howard make for quite a formidable partnership in this biopic of the acclaimed mathematician John Nash. Like so many folk with an acute scientific ability, his social skills bordered on the wrong side of inept and a combination of his good looks and his superiority complex soon lead him to a life that vacillates between the extremely happy and the downright depressing. There are maybe two people in his life whom he has made some sort of connection with. His Princeton college "Charles" (Paul Bettany) and the exceptionally patient "Alicia" (Jennifer Connelly) whom he met whilst teaching her and whom he eventually marries. Meantime, his brainpower has attracted the attention of Uncle Sam, and that's when he meets "Parcher" (Ed Harris) who embroils him in a plan to crack some top secret Soviet codes. The enemy also knows he's been drafted in to help and so he is soon a target for their assassins and their network of fifth columnists too. A combination of his own inherent insecurities and this way more palpable threat lead Nash to a paranoia that threatens to destroy himself and everything he holds dear. It's also a testament to Howard's direction that he manages to create quite a menacing character from the usually charming Christopher Plummer, whose "Rosen" is a dab hand with an hypodermic. Crowe is at his best here, his portrayal of this frankly rather selfish and obnoxious man is almost perfect and though I can't say I ever liked the character, nor felt especially sorry for his predicaments, I did feel invested in just how he could emerge from the internal conflicts he faced unsure of what was true and what was not. A bare minimum of romance to clutter it up and both Harris and Connelly contributing well to a story of a flawed yet brilliant human being makes this well worth a few hours.