Status
Released
original language
English
Budget
$ 3400000
Revenue
$ 2500000

J.J. Hunsecker

Sidney Falco

Susan Hunsecker

Steve Dallas

Sally

Frank D' Angelo

Herbie Temple

Rita

Lt. Harry Kello

Mary

The Chico Hamilton Quintet

The Chico Hamilton Quintet

The Chico Hamilton Quintet

The Chico Hamilton Quintet

Manny Davis (uncredited)

Bar Patron (uncredited)

Toots Shor's Patron (uncredited)

Waiter (uncredited)

Patron at 21 (uncredited)

Patron at 21 (uncredited)

Patron at 21 (uncredited)

Lou (Toots Shor's Headwaiter) (uncredited)

Al Evans (uncredited)

Toots Shor's Patron (uncredited)

Toots Shor's Patron (uncredited)

Toots Shor's Patron (uncredited)

Leo Bartha (uncredited)

Patron at 21 (uncredited)

Hot Dog Stand Counterman (uncredited)

Patron at 21 (uncredited)

Sen. Harvey Walker (uncredited)

Toots Shor's Waiter (uncredited)

Waiter at 21 (uncredited)

Patron at 21 (uncredited)

Patron at 21 (uncredited)

Patron at 21 (uncredited)

Man Outside Theatre (uncredited)

Man at Hot Dog Stand (uncredited)

Patron at 21 (uncredited)

Waiter at 21 (uncredited)

Toots Shor's Patron (uncredited)

Joe Robard (uncredited)

Bar Patron (uncredited)

Waiter at 21 (uncredited)

Patron at 21 (uncredited)

Waiter at 21 (uncredited)

Waiter (uncredited)

Toots Shor's Patron (uncredited)

Waiter at 21 (uncredited)

Waiter at 21 (uncredited)

Man Outside Theatre (uncredited)

Stage Hand (uncredited)

Toots Shor's Patron (uncredited)

Waiter at 21 (uncredited)

Bar Patron (uncredited)

Woman (uncredited)

Linda James (uncredited)

Toots Shor's Bartender (uncredited)

Self (uncredited)

Mildred Tam (uncredited)

Patron at 21 (uncredited)

Elysian Club Patron (uncredited)

Check Man (uncredited)

Loretta Bartha (uncredited)

Coffee Shop Counter Man (uncredited)

Radio Program Director (uncredited)

Patron at 21 (uncredited)

Otis Elwell (uncredited)

Toots Shor's Patron (uncredited)

Written by nutshell on 2020-05-25
A better title might be The Sad Stench of Desperation. Was Burt Lancaster ever better than in this riveting late-fifties noir from director Alexander Mackendrick? That's a tough question. But it's a no-brainer that Tony Curtis' performance here is top-level craft at its best (as in The Boston Stangler). The supporting cast also turns in some beautiful work, notably Susan Harrison and Martin Milner. This uncomfortable story breaks many rules and comes out the better for it. The jazzy score is perfect, setting the film's nervous tone and fitting the period like a glove. A totally unique and daring film-noir for the period, and one of my all time favorites.