Status
Released
original language
English
Budget
$ 0
Revenue
$ 0

Celia Lamphere

Mark Lamphere

Caroline Lamphere

Miss Robey

Edith Potter

Rick Barrett

Intellectual Sub-Deb

Paquita

Bob Dwight

David Lamphere

Alter Boy (uncredited)

Townsman (uncredited)

Sarah (uncredited)

Guest in Home Tour (uncredited)

Guest in Home Tour (uncredited)

Judge (uncredited)

Small Mexican Knife Fighter (uncredited)

Country Squire (uncredited)

College President (uncredited)

Conductor (uncredited)

Ferret-Faced Man (uncredited)

Alter Boy (uncredited)

Levender Falls Wife (uncredited)

Fighter (uncredited)

Guest in Home Tour (uncredited)

Train Porter (uncredited)

Sub-Deb (uncredited)

Townswoman (uncredited)

Ticket Man (uncredited)

Station Agent (uncredited)

Gothic Man (uncredited)

Young Mexican Girl (uncredited)

Guest in Home Tour (uncredited)

Sub-Deb (uncredited)

Train Conductor (uncredited)

Guest in Home Tour (uncredited)

Waiter (uncredited)

Dean of Women (uncredited)

Proprietor (uncredited)

Alter Boy (uncredited)

Owl Eyes (uncredited)

Andy (uncredited)

Beefy Man (uncredited)

Priest (uncredited)

Lem (uncredited)

Levender Falls Husband (uncredited)

Written by Geronimo1967 on 2022-07-07
I rather enjoyed this film - Fritz Lang leaves much of the intrigue to emanate from own imagination. "Celia" (Joan Bennett) meets and quickly falls in love with Michael Redgrave ("Mark"), an enigmatic gent from a family that has known better days. They decamp to his remote family mansion where she meets his sister, and his teenage son - of whom she was hitherto unaware. Things all start to take a turn for the strange once she arrives; her husband collects "rooms" - he recreates the rooms where historically macabre events have happened. There is a room in their home that he keeps locked - what's inside? Her paranoia, fuelled by some eerily lit scenarios and a good, suspicion-arousing performance from Redgrave gradually builds into quite a tense denouement. It has shades of "Rebecca" (1940) about it - the sister "Caroline" (Anne Revere) assuming the role of the mysteriously obsessive third party and there is enough ambiguity going on to keep it interesting until the end.