Status
Released
original language
English
Budget
$ 0
Revenue
$ 0

Ellie May Adams

Ed Wallace

Mamie Adams

Gramp

Homer

Grandma

Honeybell

Thelma

Carmelita

Benny (uncredited)

Woman Talking to Police (uncredited)

Motorcycle Policeman (uncredited)

Al (uncredited)

Gossip in Diner (uncredited)

Mr. Smith (uncredited)

Drunk Leaving Bluebell (uncredited)

Man in Bluebell (uncredited)

Girl in Bluebell (uncredited)

Man Clueing in Ed (uncredited)

Herb (uncredited)

Dalya (uncredited)

Jake's Friend in Diner

Boy (uncredited)

Man in Diner (uncredited)

Drunk's Wife Leaving Bluebell (uncredited)

Sailor in Bluebell (uncredited)

Jake Halpern (uncredited)

Taxi Driver (uncredited)

Gene (uncredited)

Bluebell Manager (uncredited)

Bluebell Bartender (uncredited)

Man in Diner (uncredited)

(uncredited)

Written by Geronimo1967 on 2022-06-23
There's some pretty good acting here. Ginger Rogers is "Ellie May" who lives in a ramshackle house with her mum, dipso father and her sister. When she meets a local blue collar gent "Ed" (Joel McCrae) they are soon smitten - the only snag is, she had omitted telling him some fairly important details from her past and when he finds out, their relationship becomes strained and compromised. The story, in itself, is really pretty straightforward - it's the performances that help it stand out a bit. Marjorie Rambeau is super as the mother, as is Miles Mander as the well meaning father and Henry Travers could never really put a foot wrong with his grand-paternal style of comforting performance. Rogers and MaCrae do their jobs, too - though nothing too spectacular as the dialogue they share is quite limiting. Still, it's a good enough tale of the benefits of telling the truth that still holds together well.