Status
Released
original language
English
Budget
$ 0
Revenue
$ 0

Nick Beal

Donna Allen

Joseph Foster

Thomas Garfield

Frankie Faulkner

Martha Foster

Judge Ben Hobbs

Larry Price

Karl

Peter Wolfe

Paul Norton

Mr. Cox

Henry T. Finch

Aileen

Poster Man

Tommy Ray

Supporter

Party Guest

Accordionist

Bum

Man at Press Conference

Stenographer

Man at Press Conference

Assistant Tailor

Barfly

Tony

Commercial Fisherman

Tough Politician

Supporter

Reformer

Pedestrian

Page Boy

Woman at Press Conference

Josie

Party Guest

Man at Press Conference (uncredited)

Campaign Worker (uncredited)

Opal

Lawyer

Minister

Phone Worker

Reformer

Commercial Fisherman

Boy Who Brings Note

Woman in China Coast Cafe

Committee Man

Supporter

Man at Press Conference

Committee Man

Pedestrian

Reformer

Supporter

Campaign Worker

Committee Man

Det. Sgt. Hill

Photographer

Telephone Woman at Mitchell's Election HQ

Adding Machine Worker

Assistant District Attorney

Reformer

Banker

Campaign Worker

Politician

Campaign Worker

Truck Driver

Supporter

Bartender

Watchman

Chief Justice

Minister










Supporter at Campaign HQ (uncredited)










Written by John Chard on 2015-04-22
Old Nick - Crafty Devil. Alias Nick Beal (AKA: A few other titles...) is directed by John Farrow and adapted to screenplay by Jonathan Latimer from the Mindret Lord story. It stars Ray Milland, Audrey Totter, Thomas Mitchell and George Macready. Music is by Franz Waxman and cinematography by Lionel Lindon. It's the Faustian legend filmed through film noir filters as Thomas Mitchell's politician unwittingly makes a deal with Ray Milland's suspicious Nick Beal. Nicholas Beal - Agent. It's all fogs, smogs and smoky pubs here, it's 1949 and John Farrow and his team are having a great time of things blending Faust with politico machinations. Narrative thrust comes by way of corruption and character disintegration, sprinkled naturally with your good old cinematic staple of good versus evil in bold type. Don't touch him! He doesn't like it! Milland is superb here, his Nick Beal is the ultimate Machiavellian Mannipulator, and the chief film makers really bring these traits to the fore. Beal is a bundle of smug grins and glinting eyes, he just appears in scenes, Farrow cunningly using various props and persons to suddenly unleash his little old devil when he is least expected. Around Nicky there are subtle changes of clothes and snatches of dialogue that hit the requisite devilish notes, Totter is our darling who is caught in Old Nick's trap, Mitchell (great) even more so. The last time I was here was quite exciting. City was on fire. Picked up quite a lot of recruits that night. Made quite a transportation problem. Lionel Lindon and Franz Waxman are also key components to what makes the pic work. Waxman (Sunset Blvd.) deftly shifts between big bass drums for thunder clap effects, to delicate swirls that give off other worldly - eerie - effects. Lindon (I Want to Live!) does great work isolating the eyes in light, while his fog and shadows work wouldn't be amiss in a Val Lewton picture. This is a criminally under seen movie, it's far from perfect because the collage of genre influences give it a very unbalanced feel, but there's so much fun, spookiness and technical craft on show to make it a must see movie for fans of the stars, noir and supernatural tinged pictures. 8/10