Status
Released
original language
de
Budget
$ 0
Revenue
$ 0

Otto von Bismarck

Wilhelm I.

Albrecht von Roon

Helmuth von Moltke

Kronprinz Friedrich Wilhelm

Kronprinzessin Victoria

Königin Augusta

Johanna von Bismarck

Marie von Bismarck

Herbert von Bismarck

Wilhelm von Bismarck

Dr. Rudolf Virchow

Vincent Benedetti

Prinz Friedrich Karl

Johann von Sachsen

Franz Joseph I.

Napoleon III.

Eugénie

Loewe

Friedrich von Wrangel

Herr von Keudell

Klemens von Metternich

Graf Rechberg

Graf von Blome

Friedrich Ferdinand von Beust

Lothar Bucher

General von Manstein

Graf Karolyi

Friedrich von Bodelschwingh

Lakai Kuhn

1. Landtagspräsident

2. Landtagspräsident

Patow

Großherzog von Oldenburg

Korrespondent der Kölner Zeitung

Diener im Arbeitszimmer Bismarcks

Jakoby

Sybel

Ritter von Benedek

Zivilist bei der Versammlung in Frankfurt

Adjudant des Prinzen Friedrich Karl

Flügeladjutant des Königs

Nigra, italienischer Gesandter

Kurier beim König von Preußen

Königin Viktoria von England

Generaladjutant des Königs

Rudolf von Gneist

Graf von Ellesburg, preußschischer Innenminister

Eine Dame bei der Ordensverleihung in Berlin

Der Bursche Bismarcks

Sächsischer Gesandter



Written by Geronimo1967 on 2024-04-29
Aside from the fact that this was made at the height of the Third Reich - so it's underlying politic of the might of the German people and it's heroes it to be assumed, this is a rather dry and unremarkably sterile depiction of the eponymous statesman who worked with Wilhelm I of Prussia (Friedrich Kayßler) to create the German Imperial state. It tries to pack far too much over-simplified history into two hours and the portrayal of Bismarck himself by an underwhelming Paul Hartmann leaves us amidst a story of turbulent history told as if it were a child's "Janet and John" book. The complexities of the relationships between the Hapsburg Austro-Hungarian empire, Russians, French and British are all rather overlooked and certainly undercooked as we spend much of the film in audience chambers watching a vacillating king or in a prevaricating parliament where nothing seems to count for very much - until our hero arrives to convince and save the day. It's almost entirely confined to a sound-stage so what few opportunities offered us to experience the military tactics of Moltke against the Danes or the Austrians are largely confined to a map or to the inside of a tent. The ending justifies the dramatic means - and we know that there was a unified German Empire born in 1871. It's a watchable enough historical biopic, but no effort is made to develop the characters and the story is about as dry and processional as it can be. It's hard to imagine this as a successful piece of jingoism, to be honest. It's completely forgettable.