Status
Released
original language
de
Budget
$ 0
Revenue
$ 0
Otto von Bismarck
Wilhelm I.
Albrecht von Roon
Helmuth von Moltke
Kronprinz Friedrich Wilhelm
Kronprinzessin Victoria
Königin Augusta
Johanna von Bismarck
Marie von Bismarck
Herbert von Bismarck
Wilhelm von Bismarck
Dr. Rudolf Virchow
Vincent Benedetti
Prinz Friedrich Karl
Johann von Sachsen
Franz Joseph I.
Napoleon III.
Eugénie
Loewe
Friedrich von Wrangel
Herr von Keudell
Klemens von Metternich
Graf Rechberg
Graf von Blome
Friedrich Ferdinand von Beust
Lothar Bucher
General von Manstein
Graf Karolyi
Friedrich von Bodelschwingh
Lakai Kuhn
1. Landtagspräsident
2. Landtagspräsident
Patow
Großherzog von Oldenburg
Korrespondent der Kölner Zeitung
Diener im Arbeitszimmer Bismarcks
Jakoby
Sybel
Ritter von Benedek
Zivilist bei der Versammlung in Frankfurt
Adjudant des Prinzen Friedrich Karl
Flügeladjutant des Königs
Nigra, italienischer Gesandter
Kurier beim König von Preußen
Königin Viktoria von England
Generaladjutant des Königs
Rudolf von Gneist
Graf von Ellesburg, preußschischer Innenminister
Eine Dame bei der Ordensverleihung in Berlin
Der Bursche Bismarcks
Sächsischer Gesandter
Written by Geronimo1967 on 2024-04-29
Aside from the fact that this was made at the height of the Third Reich - so it's underlying politic of the might of the German people and it's heroes it to be assumed, this is a rather dry and unremarkably sterile depiction of the eponymous statesman who worked with Wilhelm I of Prussia (Friedrich Kayßler) to create the German Imperial state. It tries to pack far too much over-simplified history into two hours and the portrayal of Bismarck himself by an underwhelming Paul Hartmann leaves us amidst a story of turbulent history told as if it were a child's "Janet and John" book. The complexities of the relationships between the Hapsburg Austro-Hungarian empire, Russians, French and British are all rather overlooked and certainly undercooked as we spend much of the film in audience chambers watching a vacillating king or in a prevaricating parliament where nothing seems to count for very much - until our hero arrives to convince and save the day. It's almost entirely confined to a sound-stage so what few opportunities offered us to experience the military tactics of Moltke against the Danes or the Austrians are largely confined to a map or to the inside of a tent. The ending justifies the dramatic means - and we know that there was a unified German Empire born in 1871. It's a watchable enough historical biopic, but no effort is made to develop the characters and the story is about as dry and processional as it can be. It's hard to imagine this as a successful piece of jingoism, to be honest. It's completely forgettable.