Status
Released
original language
it
Budget
$ 20000000
Revenue
$ 230098753
Guido
Dora
Giosué
Zio
Ferruccio
Dora's Mother
Doctor Lessing
Mrs. Guicciardini
School Principal
Rodolfo
Bartolomeo
Vittorino
Elena
Rodolfo's Friend
Prefect
Man with Key
German Party Attendant
German Auxilliary
German Executioner
General Graziosi
Waiter Ernesto
US Tank Driver
King
German Auxiliary
School Janitor
Card Player
German Sergeant
Teacher
German Corporal
German Major at Party
Female Soldier at Children's Dinner
1st Lady at the Grand Hotel
2nd Lady at the Grand Hotel
Gigliola
Regina
Eleonora
Public Education Inspector
Lady at the Opera
German Auxiliary
Upholsterer
German Soldier
Spinster Teacher
Bruno
Dora's Maid
German Auxilliary
Policeman in Stationery Shop
German Lieutenant at Station
Solid German
Grand Hotel Doorman
German Soldier
Common Secretary
Narrator (voice) (uncredited)
German Auxilliary (uncredited)
German Auxiliary (uncredited)
Written by tubbs on 2020-06-09
The first half of the screenplay is better than the second and in particular the weak ending which is very commercial Oscar material. However, there is Benigni, who is an old school visual comedian, and some of his antics are a delight. The period setting details are also well done.
Written by r96sk on 2025-08-17
<em>'Life Is Beautiful'</em> is certainly beautiful (in a sense), but is acutely haunting too. You can see where the film is heading from pretty much the get-go, though that only strengthens the grip that the film had on my mind. Evidently, it's an outstanding piece of filmmaking. I've, of course, seen plenty of flicks that feature this particular historical event, but I gotta say this one had a larger effect on me than is the norm. They are all saddening, obviously, but this one with the young family aspect hit a bit more, it felt more intimate. That's all despite the movie being infused with comedy, the mixing of which is supreme. Roberto Benigni is tremendous in the role of Guido, not only does he convey the aforementioned humour brilliantly but when it comes to the more sombre moments his acting prowess shines through just as much. Giorgio Cantarini shows up with an impressive kid display, while Nicoletta Braschi is very good as well - her penultimate scene stands out most. The stunning score is also a major plus, one part of it kept giving me Andrea Bocelli vibes; probably a lazy connection on my part, given it's an Italian film but hey-ho. My only 'negative' (it's not even a negative, tbh) is the final scene with Guido, which felt a little skipped across and rushed. As intended, just felt a tad odd whilst watching though. A heart-wrenching, yet splendid, 116 minutes, that's for certain.