
Maria Michi (14 May 1921 – 7 April 1980) was an Italian supporting actress who worked with Roberto Rossellini on his two early neorealism masterpieces: Rome, Open City and Paisà. Michi worked first as a typist at a law firm, then as an usherette at Teatro Quattro Fontane in Rome. She was noticed and given small parts in the company of Sergio Tofano and Diana Torrieri during the 1942-1943 season. Critic Irene Bignardi called her "a woman very near the resistance and the Communist Party". In 1948, she worked with Christian-Jaque in La Chartreuse de Parme. She was married in September 1949 to Duke Augusto Torlonia, and left the world of cinema for the theater, particularly working with director Guido Salvini. The marriage was annulled in San Marino in 1956. She resumed her film career in the 1960s and 1970s, when she did 12 films, including Bernardo Bertolucci's Last Tango in Paris and Tinto Brass's Salon Kitty, her last film. Description above from the Wikipedia article Maria Michi, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Marina Mari
Roma città aperta

Rosa's Mother
Ultimo tango a Parigi

La Troisième Parque
La Rupture

Francesca
Paisà

Preludio d'amore

Sister Bianca Homati
La monaca di Monza

signora Macusar
Legge di guerra

Paola
Fatalità

'Angelo' Morelli
L'altra

Hilde
Salon Kitty

Princess
Senza ragione

Mama Blue
Blu Gang e vissero per sempre felici e ammazzati

Hortense Dubois - la femme d'Armand
Mont-Dragon

Maria
Irene, Irene

Brenda's Mother (uncredited)
Cosa avete fatto a Solange?

Marietta
La Chartreuse de Parme

la pazza aggressiva
Per le antiche scale

Le ultime lettere di Jacopo Ortis
Known For
Acting
Known Credits
18
Gender
Female
Birthday
1921-05-15
Place of Birth
Roma, Lazio, Italy
Also Known As
Мария Мики