
No one in Germany can more justifiably call himself an independent filmmaker than Lothar Lambert: 41 films to date since 1971, almost all financed out of his own pocket, as producer, director, screenwriter, actor and, time and again, as editor, cameraman, sound man and distributor. Cinema about sex and longings, self-realization and psychological deformities, desires, the weal and woe of the little-noticed in the (initially only West) Berlin urban jungle. And it is as authentic, shocking and tragicomic as you rarely find in this country. Because they were unusually weird and "dirty" in terms of content and form - especially for the well-behaved German standards - Lambert's works were quickly classified as "underground" in the seventies. And have recently been increasingly ignored by critics and film historians. Having long since become documents of the zeitgeist and thus of contemporary history, it is long overdue to (re)discover these works.

Du Elvis, Ich Monroe

Julchen
Eine Tunte zum Dessert

Kısmet Kısmet

Kobay

Ein Schuß Sehnsucht - Sein Kampf

Nachtvorstellungen

Kurt
Fucking City

Betty
Dirty Daughters oder Die Hure und der Hurensohn

Verdammt in alle Eitelkeit

Die Alptraumfrau

Nachbar
Blond bis aufs Blut

Lola
In Haßliebe Lola

himself
Carl Andersens Underground der Liebe

1 Berlin-Harlem

Kurtchen "Marilyn"
Die Wolfsbraut

Now or Never

Self
Lost and Found in Underground: Lothar Lambert's Psycho City
Known For
Directing
Known Credits
17
Gender
Male
Birthday
1944-06-24
Place of Birth
Rudolstadt, Germany
Also Known As