Status
Released
original language
English
Budget
$ 40000000
Revenue
$ 288500000

John Beckwith

Jeremy Grey

Secretary Cleary

Claire Cleary

Gloria Cleary

Kathleen Cleary

Grandma Mary Cleary

Todd Cleary

Sack Lodge

Randolph

Father O'Neil

Mr. Kroeger

Mrs. Kroeger

Trap

Christina Cleary

Craig

Attorney

Attorney

Old Jewish Man

Old Jewish Woman

Old Italian Man

Old Italian Woman

Old Chinese Man

Old Irish Woman

Old Indian Man

Ivana

Camille

Brunette

Vivian

Frank Meyers

Woman

Bratty Kid

Flower Girl

Franklin

Best Man

Secret Service Agent

Elderly Woman

Rabbi

Betty

Flip

Kip

Ken

Priest

Chazz's Mom

Chazz's Girlfriend

Woman at Jewish Reception

Hindu Woman

Girl at Irish Wedding

Girl Who Cries

Girl Who Cries

Wedding Planner

Wedding Planner

Woman at Table

Man at Table

Helicopter Pilot

Chazz Reinhold (uncredited)

James Carville (uncredited)

John McCain (uncredited)

Woman in Hat (uncredited)

Bridesmaid (uncredited)

Funeral Mourner (uncredited)

Irish Waiter (uncredited)

Written by Geronimo1967 on 2025-01-11
"He thought "Moby Dick" was a venereal disease" - made me smile at the start of this, but after I while I really did wonder if it was ever going to end! "John" (Owen Wilson) and his pal "Jeremy" (Vince Vaughn) are a couple of amorous types who have quite a successful habit of crashing other folks weddings - usually without knowing a soul - and chancing their arm amongst the hormonally vulnerable. Then something unexpected happens and they end up at the mansion of the US Treasury Secretary (Christopher Walken) where the most convoluted of love pentangles occurs between the two boys, "Claire" (Rachel McAdams), "Gloria" (Isla Fisher) and the pompous "Sack" (Bradley Cooper) - and that's before "Todd, the gay son of the house (Keir O'Donnell) takes a bit of a shine to one of them, too! Not only has romance gone into overdrive, but the relationship between the men is starting to strain. Thing is, the family believe the boys are something quite different from their real selves, and the question is as inevitable as the sun coming up. Will they get found out or be forced to admit who they really are, and will they escape with their lives? It has it's moments this, but it's far too long and padded out with most of the fun out of the way after the first twenty minutes. That leaves us with an increasingly orchestrated series of escapades along the rather puerile lines of "American Pie". These men do have comedy timing and their delivery is slick nd professional, but their humour is childish and predictable, as are the scenarios and jokes. It's not that it's bad, it's just dated and unsophisticated. Ellen Albertini Dow quite engagingly keeps up the spirit of Una O'Connor and Mlldred Natwick as the outrageous and curmudgeonly grandmother, but otherwise this wasn't really for me.