Status
Released
original language
English
Budget
$ 5500000
Revenue
$ 58972904

Harold Abrahams

Eric Liddell

Jennie Liddell

Sybil Gordon

Lord Andrew Lindsay

Sam Mussabini

Aubrey Montague

Henry Stallard

Master of Trinity

Master of Caius

Lord Birkenhead

Charles Paddock

Jackson Scholz

Lord Cadogan

Duke of Sutherland

Sandy McGrath

Prince of Wales

Head Porter - Caius College

Jimmie

Rev. J.D. Liddell

Mrs Liddell

Ernest Liddell

Rob Liddell

George Andre

Watson

Colonel John Keddie

Taylor

Paxton

Fitch

President - Gilbert and Sullivan Society

Secretary - Gilbert and Sullivan Society

Sleeping Car Attendant

Head Waiter - The Savoy

US Coach

Bunty

Harbour Master

Sybil's Maid

Caius Porter


Reporter

Highland Provost

President - Cambridge Athletic Club

Caius Manservant

Schoolgirl

Footman

First Scots Boy

Second Scots Boy

Shot Putter (uncredited)

Cambridge Student at Society Day (uncredited)

Cambridge Student at Society Day (uncredited)

Written by Geronimo1967 on 2022-07-02
The opening bars of the Oscar-winning Vangelis score coupled with the shot of the athletes running along the beach, barefoot, at St. Andrews is amongst the most iconic opening scenes from any film, but somehow the rest of this strays all too often into mediocrity thereafter. It tells the story of two British athletes who strove to thrive at the Olympiad in Paris in 1924. Harold Abrahams (Ben Cross) comes from a Lithuanian Jewish background. who is welcomed to Cambridge University, but never quite accepted. The other is Eric Liddell (Ian Charleson), a devout Christian who comes from missionary stock and who believes that he must serve God before himself - and that includes not running any races on the Sabbath. Both of these men have considerable athletic skills, and the story intertwines their efforts to get to the Games, whilst both must deal with their differing priorities and challenges. It's this middle portion of the film, the prologued character development phase, that all plods along too slowly. It has too little pace and too many characters, and that just drags the film down. The last fifteen minutes liven up considerably though, not just with the events on the track - but amongst those determined to ensure that the whole team attains success making sacrifices and compromises along the way. It has a classy look to it, the costumes and settings are top drawer, but I found the leading performances rather disjointed and at over two hours long, I did struggle to stay engaged.