Status
Released
original language
English
Budget
$ 2100000
Revenue
$ 23650000
Fred Derry
Al Stephenson
Homer Parrish
Peggy Stephenson
Milly Stephenson
Wilma Cameron
Marie Derry
Butch Engle
Hortense Derry
Pat Derry
Mr. Milton
Mrs. Parrish
Mr. Parrish
Cliff Scully
Mrs. Cameron
Mr. Cameron
Luella Parrish
Prew
Mr. Mollett
Thorpe
Novak
Bullard
Rob Stephenson
Woody Merrill
Mrs. Talburt - Perfume Customer (uncredited)
Salvage Foreman (uncredited)
A Boy (uncredited)
Nightclub Waiter (uncredited)
Man at Airport / Dinner Guest (uncredited)
Department Store Customer (uncredited)
Jackie (uncredited)
Saleswoman (uncredited)
Miss Barbour (uncredited)
Wedding Guest (uncredited)
Bank Dinner Guest (uncredited)
Minister at Wedding (uncredited)
Drugstore Clerk (uncredited)
Waiter (uncredited)
Hat Check Girl (uncredited)
Dinner Guest (uncredited)
Customer (uncredited)
ATC Sergeant (uncredited)
Taxi Driver (uncredited)
Announcer (uncredited)
Parking Lot Attendant (uncredited)
Man at Airport (uncredited)
Bank Customer with Hat (uncredited)
Bar Patron (uncredited)
Doorman (uncredited)
Bank Dinner Guest (uncredited)
Steese - Bank (uncredited)
Corporal at ATC Counter (uncredited)
Customer (uncredited)
Lou Latham - Bank (uncredited)
Camera Girl (uncredited)
Nightclub/Hillbilly Singer (uncredited)
Ladies' Room Attendant (uncredited)
Card Player at Lucia's (uncredited)
Maitre d'Hotel (uncredited)
Bank Dinner Guest (uncredited)
Diner Attendant at Lucia's (uncredited)
Wedding Guest (uncredited)
Gus - Salvage Worker (uncredited)
Ryan - Bank Guard (uncredited)
Dexter - Brat in Drugstore (uncredited)
Singer (uncredited)
Technical Sergeant (uncredited)
Dinner Guest (uncredited)
Steve the Bartender (uncredited)
Musician - Drum Solo (archive footage) (uncredited)
Nightclub Patron (uncredited)
Counter Girl (uncredited)
Man at Airport (uncredited)
Announcer (uncredited)
Waiter (uncredited)
Glamour Girl (uncredited)
A Girl (uncredited)
Girl at Soda Fountain - Mollett Scene (uncredited)
Wedding Guest (uncredited)
Giuseppe - Lucia's Restaurant Proprietor (uncredited)
Wealthy Man at Nightclub (uncredited)
Card Player (uncredited)
Waiter at Bank Dinner (uncredited)
One of Homer's 'Kids' (uncredited)
Card Player (uncredited)
ATC Corporal (uncredited)
Black Soldier at Airfield (uncredited)
Clarence 'Sticky' Merkle (uncredited)
Apartment Desk Clerk (uncredited)
Girl at Table with Cliff (uncredited)
Boy at Soda Fountain - Mollett Scene (uncredited)
Bank Dinner Guest (uncredited)
Mrs. Garrett (uncredited)
George H. Gibbons (uncredited)
Girl (uncredited)
Card Player (uncredited)
Angus - Butch's Waiter (uncredited)
Counter Girl (uncredited)
Perfume Saleswoman (uncredited)
Waiter at Lucia's Restaurant (uncredited)
Department Store Customer (uncredited)
Department Store Customer (uncredited)
Drug Store customer (uncredited)
Maitre d'Hotel (uncredited)
Written by tanty on 2015-04-16
Another great Willy Wyler movie. The story, with time, is quite expectable but the characters are well defined and developed by the cast. Also, it is a good (and probably, too positive) review of the after WWII war lives of the US veterans. A must to be seen.
Written by Geronimo1967 on 2022-07-07
This is really quite a touching story, recounting the experiences of three American veterans of WWII who return home and have to adapt to their new, not always welcoming, circumstances. Frederic March is "Al" who returns to a senior position in a bank - responsible for helping other returning soldiers with loans to start to get their lives back together; "Fred" (Dana Andrews) returns to a far less optimistic outlook, ending up working for peanuts selling perfume in a drug store, and finally the outwardly cheery "Homer" - who lost both his hands and who cannot decide whether his long term fiancée actually loves him anymore, or just feels pity. William Wyler and Robert Sherwood manage to interweave the inter-connected tales poignantly, illustrating the frustrations, bordering on despair, not only of the three men - in completely different ways; but also of their respective partners who must also adjust to their return, and to their new circumstances once the war is has been won. There are some strong performances from their ladies too - Myrna Loy and Teresa Wright, less so the always rather wooden Virginia Mayo and by the end you do have some, slight, semblance of an idea of just how tough it was for these men to lose the security and discipline of their army lives and to cope with a life that has, in many cases, just moved on without them.