Status
Released
original language
English
Budget
$ 27000000
Revenue
$ 38122105

Ben Richards

Damon Killian

Amber Mendez

William Laughlin

Fireball

Captain Freedom

Dynamo

Harold Weiss

Buzzsaw

Subzero

Mic

Stevie

Brenda

Sven

Lenny

Med Tech

Valdez

Tony

Agent

Amy

Phil Hilton

Mrs. McArdle

Edith Wiggins

Leon

Soldier #1

Soldier #2

Soldier #3

Lieutenant Saunders

Chico

Suzie Checkpoint

Barrio Foreman #1

Barrio Foreman #2

Custodian

Newscaster

Travel Pass Guard

Elderly Lady

911 Security Officer #2

Propaganda Officer

Yuppie Yeller

911 Security Officer #1

Teenage Punk

Manager Locker Room

Barrio Betto

Underground Tech

Dancer

Dancer

Dancer

Dancer

Dancer

Dancer

Dancer

Dancer

Dancer

Dancer

Dancer

Dancer

Dancer

Dancer

Dancer

Sports Patron (uncredited)

Woman in Airport (uncredited)

Game Show Hostess (uncredited)

Woman in Airport (uncredited)

(uncredited)

Locker Room Viewer (uncredited)

(uncredited)

Written by John Chard on 2016-08-07
I'm not into politics. I'm into survival. The Running Man is directed by Paul Michael Glaser and adapted from the Stephen King (as Richard Bachman) story by Steven E. de Souza. It stars Arnold Schwarzenegger, Maria Conchita Alonso, Richard Dawson, Yaphet Kotto, Jim Brown, Jesse Ventura, Erland van Lidth, Marvin J. McIntyre, Gus Rethwisch, Professor Toru Tanaka and Mick Fleetwood. Music is by Harold Faltermeyer and cinematography by Thomas Del Ruth. It may be packed with cheese and is as nutty as a squirrel's sandwich, but this is one astutely entertaining futuristic slice of sci-fi pie. Schwarzenegger becomes a reluctant contestant in the most popular TV show of the time, The Running Man. It's a sadistic show where convicts are thrust into a zonal world and have to avoid an array of stalking killers. Cue lots of outrageous violence, equally outrageous costumes, and of course with Arnold in the lead there's plenty of dialogue zingers. The caustic observation of how television programmes have evolved is potently portentous, and it's all played out to an industrial 80s score from Faltermeyer. It helps if you know what you are going to get from it, since it's a typical Schwarzenegger movie from the fruity chaotic popcorn era in the 80s. So with that in mind, for A.S. fans this is one to gorge on with glee - for others it may not have the charm offensive required to strike a chord. 7/10