Status

Released

original language

English

Budget

$ 33000000

Revenue

$ 11498884

Top Billed Cast

Danielle Deadwyler

Mamie Till-Mobley

Jalyn Hall

Emmett Till

Frankie Faison

John Carthan

Haley Bennett

Carolyn Bryant

John Douglas Thompson

Moses Wright

Whoopi Goldberg

Alma

Jayme Lawson

Myrlie Evers

Tosin Cole

Medgar Evers

Kevin Carroll

Rayfield Mooty

Sean Patrick Thomas

Gene Mobley

Roger Guenveur Smith

Dr. T.R.M. Howard

Princess Elmore

Ruby Hurley

Josh Ventura

S. Carlton

Ed Amatrudo

J.J. Breland

Gail Everett-Smith

Church Elder

Brendan Patrick Connor

Sheriff Strider

Tim Ware

Judge Curtis Swango

Keisha Tillis

Elizabeth Wright

Bradley King

White Mob Member

J.P. Edwards

Jackson Beals

Leslie Milam

Summer Rain Menkee

Stenographer

Reid Jameson Smith

Boy in department store

Mike Dolphy

Reporter

Ralph Hughes

Reporter

Ed Sturdivant

Elmer

Rakeem Massingill

Mourner

Al Mitchell

A.A. Rayner

Lee Spencer

Council President

Njema Williams

Henry Loggins

Sean Michael Weber

Roy Bryant

Alyssa Talbot

JW's Wife

Euseph Messiah

Amzie Moore

Thea Clark

Reporter

Jamie Renell

Security Guard

Friedman Twinkies

Roy Bryant Jr and Lamar Bryant

Jonathan D. Williams

D.A. Rob Smith

Jaylin Webb

Willie Hemphill

Eric Whitten

JW Milam

Diallo Thompson

Maurice

Cora Maple Lindell

Gallery Observer

David Caprita

Bailiff

Elizabeth Youman

Ollie

Charles T. Massey

Reporter

Angela Yale

Department store clerk

Phil Biedron

Courthouse Reporter

Carol J. Mckenith

Willie Mae

Torey Adkins

White Man #1

Maurice Johnson

Ernest Withers

Noel Sampson

David Jackson

Brandon P Bell

Funeral Home Reporter

Destin Freeman

Too Tight

Bree Fyffe

Townsperson (Child)

Josh Mendez Sr.

Juror

Marcus Atkins

Onlooker / Juke Joint Background

Darian Rolle

Willie Reed

Brennan Schram

Reporter

Melina Datta

Reporter

Blaine Huslig

Photojournalist

Ryan Austin Bryant

Newspaper Boy

Richard Nash

1950's Courtroom Onlooker / Pedestrian

Kevin Brown

White Mob Member / Juror

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Movie Reviews

A review by narrator56

Written by narrator56 on 2022-12-10

This is a very good movie and can be a difficult one to watch if you know the history as I did, I of course knew where it was going front the beginning and where it would end up. The writing was strong and the acting superb much of the time. I highly recommend it for anyone young or old who is unfamiliar with he story. Despite the rawness of Danielle Deadwiler’s performance and the clean way the tragedy unfolded, on some weird level I wasn’t as affected emotionally as I would have expected to be. I don’t even know why. A few intangible reasons perhaps? Such as not feeling a lot of chemistry between the main characters. Like I say, I am not even sure myself. It is an excellent movie, but not one that will stick with me as a powerful slice of history like this should, or make me likely to feel I have to watch it again. But yes, do see it once at least.

A review by Geronimo1967

Written by Geronimo1967 on 2023-01-23

Based around the true story of the appalling murder of the young Emmett Till in a racially divided 1950s USA, this delivers a truly powerful performance from Danielle Deadwyler as his mother. A woman who becomes distraught, angry and determined. Determined that those who killed her child are brought to justice. The history, sadly, tells us just how the judicial process of Mississippi back then was just as bigoted as the vast majority of the white folks who treated African Americans as little better that labouring cattle. This film is well put together, with plenty of attention to the aesthetics of the scenarios. What helps is stand out though, is the lead performance. It is gently complemented by a supporting cast that includes the engaging young Jalyn Hall as the optimistic and decent young man, but it is really all about Deadwyler and her nuanced and thought-provoking effort as the mother who funnels her distress and despair into something positive. For her, and for a broader society at large that was either unaware or just indifferent to the practical, political and downright dangerous obstacles faced by those of a different colour if they even thought about staring from the prescribed social "norms". Chinonye Chukwu keeps the pace of the story tight and well focussed - there is little room for sentiment or melodrama in this drama. There's a slide at the end that rather sums the whole thing up - the anti-lynching legislation that bears this young man's name was only implemented in 2022!