Status
Released
original language
English
Budget
$ 107000000
Revenue
$ 87812729

Muhammad Ali / Cassius Clay

Drew 'Bundini' Brown

Howard Cosell

Malcolm X

Angelo Dundee

Howard Bingham

Don King

Sonji Roi

Belinda Ali

Veronica Porche

Chauncey Eskridge

Dr. Ferdie Pacheco

Bradley

Herbert Muhammad

Cassius Clay, Sr.

Luis Sarria

Martin Luther King, Jr.

Elijah Muhammad

Robert Lipsyte

Joe Smiley

Odessa

Sam Cooke

Woman Singer

Joseph Mobutu

Sonny Liston

'Smokin' Joe Frazier

Ernie Terrell

George Foreman

Floyd Paterson

Jerry Quarry

Jimmy Ellis

Ken Norton

Rudy Clay / Rahaman Ali

Betty Shabazz

Marlin Thomas

Malcolm X's Daughter

Malcolm X's Daughter

Young Cassius Clay

The Doctor

Jimmy Cannon

Madison Square Garden Announcer

Gordon Davidson

Lieutenant Jerome Claridge

Induction FBI Man

Judge Ingraham

Bundini's Landlady

Bob Arum

Boxing Commissioner

Malcolm's Bodyguard

Thomas 15X Johnson

Room Service Guy

Death Newsman

Family Photo Man

Asian Cosmetologist

Assistant Director

Customer

Referee Arthur Mercante

Frazier Fight II Announcer

Flight Attendant

Hampton House Announcer

Miami Weigh-In Reporter

Miami Weigh-In Reporter

Announcer

Referee

Willie Reddick

Jersey Joe Walcott, Referee

Prosecutor

Man on Train

Boxing Commission Reporter

Reporter

Reporter

Madison Square Garden Reporter

Madison Square Garden Reporter

New York Reporter

New York Reporter

New York Reporter

Harlem Neighbor

Harlem Neighbor

Harlem Neighbor

Harlem Reporter

Louisville Sponsoring Group

Lana Shabazz

Miami Cop

Dressing Room Weigh-In Guy

Dick Sadler

ORTF Interviewer

Kinshasa Reporter

Rose Jennings

Pointer Sister

Pointer Sister

Pointer Sister

Mobutu Aide / Military Aide

Lieutenant Nsakala

Zack Clayton

Larry Holmes

The Pilot

London Banker

CIA Man

Black Pilot

Black Pilot

Reporter in Zaire

Reporter in Zaire

Reporter in Zaire

Reporter in Zaire

Reporter in Zaire

Reporter in Zaire

Bula

Archie Moore

Doc Broadus

Blonde French Reporter

Chinese Delegate

Hunter Thompson

Foreman Fight Announcer

Idi Amin

Don King's Aide

Additional Aide to Mobutu

Additional Aide to Mobutu

Additional Aide to Mobutu

Sparring Partner in Africa

Dancer (uncredited)

Cameraman

Written by Geronimo1967 on 2024-02-01
There are flashes of the legendary Muhammad Ali wit and quick-thinking delivery peppered throughout this otherwise rather long and ponderous story of the life of Cassius Clay from relative poverty through to his mastery of not just the boxing ring but of the television media that, at that point, fed successfully from this truly global sport. It's Will Smith who takes centre stage after his gold medal victory at the Tokyo Olympiad in 1964 and like many other pugilists in history, his character offers the down-trodden, working class, an inspiration. With sweat, tears and hard work he can escape the ghetto and have his fame and fortune, so why not them? What Michael Mann now proceeds to do is offer us a biopic of this man - of his peccadilloes, his religious beliefs, his persecution by the government when he refuses to be drafted to Vietnam and of some of his friendships with the great and the good of the equal rights movement that were gaining in prominence and effectiveness under the likes of Malcolm X (Mario Van Peebles). We are presented with a plausibly flawed individual, but one who is a proud and savvy man who knows just how to push the buttons to keeps his life-blood's publicity machine going. To that end, here, Smith is well supported by Jamie Foxx's "Bundini", the long-suffering Angelo Dundee (Ron Silver) and by Jon Voight as his follicularly challenged media foil from ABC television - Howard Cosell. It's Smith that rather underwhelms. He delivers the set-pieces well enough, presumably he could rehearse them - but the rest of his persona is all rather weak, undercooked and I felt really over-written. There's way too much melodrama and speculation and not enough of what made the man an household name (and favourite) in the first place - his fighting. For such a rich source this is all rather meandering and lacking in substance. Maybe we could have directors cut - only 45 minutes shorter?