Status
Released
original language
English
Budget
$ 0
Revenue
$ 0

William Spence

Hope Morris Spence

Lydia Sandow

Preston Thurston

Eileen Spence at Age 17

Elias Samson

Mrs. Preston Thurston

Clayton Potter

Dr. John Romer

Hartzell Spence

Dr. Horrigan

John E. Morris

Mrs. Morris

Eileen Spence

Hartzell Spence

Frazer Spence

Woman Behind Hope at Baptism (uncredited)

Child (uncredited)

George Reynolds (uncredited)

Undetermined Secondary Role (uncredited)

Sister Watkins (uncredited)

Richard Hardy Case (uncredited)

Child (uncredited)

Mac MacFarland (uncredited)

Mrs. Jellison (uncredited)

Second Bride (uncredited)

Boy (uncredited)

Man Crying During Baptism (uncredited)

Child (uncredited)

Second Bridegroom (uncredited)

First Bride (uncredited)

Mrs. Spicer (uncredited)

Casper Cullenbaugh (uncredited)

Woman Gossip (uncredited)

Townsman (uncredited)

Lulu Digby (uncredited)

Undetermined Secondary Role (uncredited)

Panhandler (uncredited)

Fire Chief (uncredited)

Church Usher (uncredited)

Haskins (uncredited)

Shopkeeper (uncredited)

Elderly Woman (uncredited)

Train Station Master (uncredited)

Choir Member (uncredited)

School Boy (uncredited)

Train Conductor (uncredited)

Alf McAfee (uncredited)

Boy (uncredited)

Young Soldier in Hospital (uncredited)

Mrs. Simpson (uncredited)

Mother (uncredited)

Thurstons' Maid (uncredited)

First Mother (uncredited)

Sam (uncredited)

Soldier (uncredited)

Fire Watcher (uncredited)

Waiting Train Passenger (uncredited)

Handsome Jack Pressley (archive footage) (uncredited)

Movie Theatre Cashier (uncredited)

Choir Member (uncredited)

Undetermined Secondary Role (uncredited)

Second Clerk (uncredited)

Man Behind Hope at Baptism (uncredited)

Prechin' Bill Hardy (archive footage) (uncredited)

Fire Watcher (uncredited)

Mrs. Dibble (uncredited)

Mother (uncredited)

Choir Member (uncredited)

Board Member (uncredited)

Man Quieting Boys in Theater (uncredited)

Lydia's Maid (uncredited)

Sister Sale at the Movie Theatre (uncredited)

Child (uncredited)

Candy Butcher (uncredited)

Parishiner Wanting More Sin in Sermon (uncredited)

Ella Hodges (uncredited)

Miss Peabody (uncredited)

Girl (uncredited)

Mrs. Ehrlich (uncredited)

Undetermined Secondary Role (uncredited)

Fireman Angus (uncredited)

First Groom Asking for Dog Licence (uncredited)

Choir Member (uncredited)

Written by Geronimo1967 on 2025-07-20
I was a little apprehensive when this started. I though we were in for one of those twee American bible-thumping exercises with soft choral music and rousing sermons. Actually, though, it’s quite a fun chronology of the life of pastor “Spence” (Fredric March) and his wife “Hope” (Martha Scott). To begin with they live in Canada, haven’t two cents to rub together and with barely half a loaf to live on are hoping that some would-be newly weds will stop by for a $2 or $5 wedding! With their first born arriving, they move south across the border for something a little more prosperous - and that’s when their snowball starts to roll through, quite literally, fire and some brimstone. March is on good form, as is the under-used Scott and the trio of Beulah Bondi, Gene Lockhart and Laura Hope Crews add a buy-your-way-into-heaven potency as wealthy citizens who are all for helping their minister succeed - just so long as he does it on their terms. When they discover the twentieth leak in their roof, they conclude that it would be easier to build a new church than a new parsonage, and those wealthy “patrons” become more important and downright obnoxious than ever. There is a Christian message here, but it’s not so much a religious one as one that ridicules the pompous and the gossips whilst encouraging humanity and decency - a quest all the more poignant as war soon rages in Europe. There is an headline on one of their newspapers that declares “Austria at war with Serbia” and I did wonder how many watching would ever have heard of either country at the time. They sure had by the end! It also illustrates just how poor as church mice church people actually were, and in the end it rather potently suggests that faith is much more than an edifice - even one with a $10,000 stained glass window.