Status
Released
original language
English
Budget
$ 55000000
Revenue
$ 70692101
Sam
Vincent
Deirdre
Gregor
Larry
Seamus O'Rourke
Spence
Jean-Pierre
Mikhi
Natacha Kirilova
Man with the Newspaper
Sergi's Accomplice
Man at Exchange
Dapper Gent
Sergi
Arles Little Girl
Clown Ice Skater
Clown Ice Skater
The 'Boss'
Tour Guide
The 'Target'
Arles Messenger
Girl Hostage
Tourist in Nice
Waiter in Nice
Woman Hostage
Little Screaming Girl
Little Girl
Russian Interpreter
Ice Rink Security Guard
Armed Police Officer
CRS Captain
Bartender
Mikhi's Bodyguard
Russian Mechanic
Little Girl
German Tour Guide
Arles Little Girl
Weapon Seller (uncredited)
Police Dispatch (voice) (uncredited)
(uncredited)
Ambulance Man Nice (uncredited)
Natacha Kirilova's Assistant (uncredited)
Natacha Kirilova's Assistant (uncredited)
Written by mooney240 on 2022-08-19
**A little boring with a great car chase scene.** Even though Ronin had shootouts, great chase sequences, and classic actors, I was bored and on my phone throughout the whole thing. Nothing was particularly bad about this film. There were actually great parts! But somehow, the sum of all its parts just equaled a movie that left me wanting. Releasing four years after Leon: The Professional, this could have been much better.
Written by Geronimo1967 on 2023-08-28
It would not be fair to describe a "Ronin" as a rogue; more a mercenary without loyalty to any one particular person or cause. So, Natasha McElhone "Deirdre" hires a few of these to relieve a man of a suitcase that is bound for the Russians. What follows is as internecine a thriller as you will ever see. It's full of scheming and double-scheming with "Sam" (Robert De Niro) and "Vincent" (Jean Reno) never quite sure who is or is not on their team as the suitcase changes hands more times that the wonderfully elegant Katarina Witt changes her skates. Stellan Skarsgård; Sean Bean; Jonathan Pryce and Michael Lonsdale all help to keep them, and us, guessing pretty much right to the end. It does suffer a little from a preponderance of shoot outs that couldn't hit a barn door with a shovel; and the car chases do begin to get wearisome after a while, but over all John Frankenheimer manages to keep the quality of the action to a high enough standard to compensate. The dialogue is a bit basic, as are the characterisations - this has no depth nor underlying political agenda/statements - not the I could discern, anyway - it is just a good old fashioned thriller with a first rate cast who are unchallenged by their tasks - and therefore are perfectly plausible.