Status

Released

original language

English

Budget

$ 0

Revenue

$ 3696069

Top Billed Cast

Stevie Wonder

Self

Lin-Manuel Miranda

Self - Artist

Chris Rock

Self - Artist

Tony Lawrence

Self - Harlem Cultural Festival Producer & Host (archive footage)

Nina Simone

Self (archive footage)

B.B. King

Self (archive footage)

Abbey Lincoln

Self (archive footage)

Mavis Staples

Self - Singer (archive footage) (voice)

Mahalia Jackson

Self (archive footage)

David Ruffin

Self

Sly Stone

Self - Performer (archive footage)

Hugh Masekela

Self (archive footage)

John V. Lindsay

Self (archive footage)

Ray Barretto

Self - Performer (archive footage)

Herbie Mann

Self (archive footage)

Mongo Santamaría

Self - Performer (archive footage)

Questlove

Self (uncredited)

Luis A. Miranda Jr.

Self - Civic Leader

Walter Cronkite

Self - Host, CBS Evening News with Walter Cronkite (archive footage)

Malcolm X

Self - Activist (archive footage)

Martin Luther King Jr.

Self - Activist (archive footage)

Robert F. Kennedy

Self - Presidential Candidate (archive footage)

Richard Nixon

Self - 37th President of the United States (archive footage)

John F. Kennedy

Self - 35th President of the United States (archive footage)

Jesse Jackson

Self

Moms Mabley

Self (archive footage)

Max Roach

Self (archive footage)

Fidel Castro

Self (archive footage)

Redd Foxx

Self - Comedian & Actor (archive footage)

Dorinda Drake

Self - Festival Attendee

Barbara Bland-Acosta

Self - Festival Attendee

Darryl Lewis

Self - Festival Attendee

Gladys Knight

Self - Musician

Dinah Shore

Self (archive footage)

Buzz Aldrin

Self (archive sound)

Al Sharpton

Self - Minister & Activist

Marilyn McCoo

Self - The 5th Dimension

Sheila E.

Self - Musician

Berry Gordy

Self - Founder of Motown Records (archive footage)

Neil Armstrong

Self (archive sound)

George Kirby

Self (archive footage)

Willie Tyler

Self - Ventriloquist (archive footage)

Billy Davis Jr.

Self - The 5th Dimension

John Chancellor

Self (archive footage)

Dewey 'Pigmeat' Markham

Self (archive footage)

Adam Clayton Powell Jr.

Self - Performer (archive footage)

Roebuck 'Pops' Staples

Self - Performer (archive footage)

Harry Reasoner

Self (archive footage)

Selema Masekela

Self - Son of Hugh Masekela

Edwin Hawkins

Self - Performer (archive footage)

Kwame Ture

Self - Activist (archive footage)

Bones Howe

Self - Music Producer (archive footage)

Greg Errico

Self - Drummer, Sly & the Family Stone

Roy Ayers

Self

Musa Jackson

Self - Festival Attendee

Charlayne Hunter-Gault

Self - Former Reporter, The New York Times

Cholly Atkins

Self - Choreographer for Motown (archive footage)

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Movie Reviews

A review by screenzealots

Written by screenzealots on 2021-03-09

The times, they were a’changin’ in the summer of 1969, with many turning to music as a vehicle to help them express their feelings on important social and political issues. The most famous music festival of all time, Woodstock, has seen its concert footage shown the world over. That same year in New York, over 300,000 people attended the predominantly African-American concert series known as the Harlem Cultural Festival. The filmed performances of some of the most important artists in black music history sat in a basement for five decades, only to finally be seen in “Summer Of Soul (…Or, When The Revolution Could Not Be Televised),” a documentary by first-time director Ahmir-Khalib “Questlove” Thompson. This concert film is a cultural and historical treasure trove of American music that shines a light on black art and culture in the late Sixties. For those who are seeking a well-rounded music education, this film is a must-see. The documentary makes extensive use of the never-before-seen footage, often letting the musical performances speak for themselves. Thompson weaves file footage and interviews with festival artists and attendees that share their stories on African-American popular culture. You can tell just how important the Harlem Culture Festival was to everyone involved, and some of the best clips in the film are shots of the faces in the crowds, all of them radiating pure joy. Clocking in at two hours, the film could stand a little editing. Since he is a musician himself, I understand Thompson’s tendency to include as much of every single performance as possible, but the film suffers because of it and drags on a bit too long. But just as my interest would wane, I’d get drawn back in almost as quickly with an enthralling anecdote from the likes of Jesse Jackson or Marilyn McCoo, or a moving performance from talents like Mavis Staples and Mahalia Jackson. “Summer Of Soul (…Or, When The Revolution Could Not Be Televised),” is a stunning historical record that captures a moment in time when the stories of black America weren’t always told, and it lifts up their voices in the process.

A review by badelf

Written by badelf on 2022-11-18

In 1969, besides Woodstock, there was also an unknown Summer of Soul Festival in New York. More specifically, in Harlem. If you're a music buff (I am), this is a must-see film. It includes amazing performances that we would otherwise not have seen. Eclipsed by Woodstock, the recordings found no takers at the time and sat in a basement for 50 years. Unearthed by Questlove, and interlaced with pertinent interviews, the music speaks for film.