Status
Released
original language
fi
Budget
$ 0
Revenue
$ 921

M

Irma

Nieminen

Kaisa Nieminen

Anttila

Manager of Flea Market

Bar Owner

Dock Clerk

Bank Clerk

Bank Robber

Police Detective

Layer

Ex-wife

Ovaskainen

Electrician

Salvation Army Band Member

Salvation Army Band Member

Salvation Army Band Member

Salvation Army Band Member

Mugger

Mugger

Mugger

Men's Room Guard

Doctor

Nurse

Boot Stealer

Nieminen's Son

Nieminen's Son

Accordion Player

Salvation Army Girl

Salvation Army Choir Member

Salvation Army Choir Member

Salvation Army Choir Member

Salvation Army Choir Member

Salvation Army Officer

Salvation Army Officer

Salvation Army Officer

Salvation Army Officer

Vendor in Bar

Homeless in Doorway

Homeless in Doorway

Drunk

Man in Waste-tank

Unemployment Office Clerk

Unemployment Office Manager

Lindström

Jokinen

Cook at Bar

Dock Foreman

Dock Foreman

Welder at Dock

Ruffian

Police Officer

Police Officer

Police Officer

Police Officer

Police Officer

Mechanic

Mechanic

Man at Restaurant

Man at Restaurant

Man at Restaurant

Cook

Train Stewart

Chief Bureaucrat

Chief Bureaucrat

Written by Geronimo1967 on 2024-05-18
Probably not since Wendy Hiller in "Major Barbara" (1941) has the Salvation Army featured so prominently in a drama. That's lucky as a visitor (Markku Peltola) to Helsinki arrives and is promptly beaten to near death by three hoodlums. He manages to stumble to the railway station and next thing the machine in the hospital says he is dead. Well, he's not that easy to kill and next thing he is wandering about, bandaged and with a different pair of shoes trying to find a place to stay. He has no memory of anything, just a load of broken bones and bruises. He has no money either, and finds himself in the vicious circle of no ID, no help. That's where "Irma" (Kati Outinen) comes in. She works for the aforementioned charity and takes pity on his plight. She manages to get him some clothes and finding, thanks to security guard "Anttila" (Sakari Kuosmanen,) what looks like a converted storage container to live in, he begins to rebuild his life in a gritty and unforgiving city. His relationship with "Irma" strengthens and maybe he has turned a corner? An incident that brings him to the attention of the cops delivers him an unexpected degree of closure for his past life, but will it help? Peltola is on good form here and his characterisation of the man lost in a strange world, but not bamboozled by it, is strong and quite engaging - especially when the hint of gentle romance creeps in with the equally robust character of 'Irma" who has seen a great deal in her charitable role. I probably shouldn't have, but I did rather like the denouement. It offers us a bit of hope and a bit of retribution and there's some very dark comedy along the way.