Status
Released
original language
fi
Budget
$ 0
Revenue
$ 921
M
Irma
Nieminen
Kaisa Nieminen
Anttila
Manager of Flea Market
Bar Owner
Dock Clerk
Bank Clerk
Bank Robber
Police Detective
Layer
Ex-wife
Ovaskainen
Electrician
Salvation Army Band Member
Salvation Army Band Member
Salvation Army Band Member
Salvation Army Band Member
Mugger
Mugger
Mugger
Men's Room Guard
Doctor
Nurse
Boot Stealer
Nieminen's Son
Nieminen's Son
Accordion Player
Salvation Army Girl
Salvation Army Choir Member
Salvation Army Choir Member
Salvation Army Choir Member
Salvation Army Choir Member
Salvation Army Officer
Salvation Army Officer
Salvation Army Officer
Salvation Army Officer
Vendor in Bar
Homeless in Doorway
Homeless in Doorway
Drunk
Man in Waste-tank
Unemployment Office Clerk
Unemployment Office Manager
Lindström
Jokinen
Cook at Bar
Dock Foreman
Dock Foreman
Welder at Dock
Ruffian
Police Officer
Police Officer
Police Officer
Police Officer
Police Officer
Mechanic
Mechanic
Man at Restaurant
Man at Restaurant
Man at Restaurant
Cook
Train Stewart
Chief Bureaucrat
Chief Bureaucrat
Written by Geronimo1967 on 2024-05-18
Probably not since Wendy Hiller in "Major Barbara" (1941) has the Salvation Army featured so prominently in a drama. That's lucky as a visitor (Markku Peltola) to Helsinki arrives and is promptly beaten to near death by three hoodlums. He manages to stumble to the railway station and next thing the machine in the hospital says he is dead. Well, he's not that easy to kill and next thing he is wandering about, bandaged and with a different pair of shoes trying to find a place to stay. He has no memory of anything, just a load of broken bones and bruises. He has no money either, and finds himself in the vicious circle of no ID, no help. That's where "Irma" (Kati Outinen) comes in. She works for the aforementioned charity and takes pity on his plight. She manages to get him some clothes and finding, thanks to security guard "Anttila" (Sakari Kuosmanen,) what looks like a converted storage container to live in, he begins to rebuild his life in a gritty and unforgiving city. His relationship with "Irma" strengthens and maybe he has turned a corner? An incident that brings him to the attention of the cops delivers him an unexpected degree of closure for his past life, but will it help? Peltola is on good form here and his characterisation of the man lost in a strange world, but not bamboozled by it, is strong and quite engaging - especially when the hint of gentle romance creeps in with the equally robust character of 'Irma" who has seen a great deal in her charitable role. I probably shouldn't have, but I did rather like the denouement. It offers us a bit of hope and a bit of retribution and there's some very dark comedy along the way.