Status
Released
original language
English
Budget
$ 0
Revenue
$ 0

Anatol Spencer

Vivian Spencer (Anatol's wife)

Emilie Dixon

Gordon Bronson

Max Runyon

Mr. Nazzer Singh (Hindu hypnotist)

Annie Elliott

Abner Elliott

Satan Synne


Chorus Girl

Chorus Girl

Guest

Tibra

Bridge Player

Dr. Johnston

Great Blatsky - Violin Teacher

Stage Manager

Spencer's Valet

Nurse

Marie - Spencer's Maid

Orchestra Leader

Dr. Bowles

Spencer's Butler

Bridge Player

Guest

Written by Geronimo1967 on 2022-02-16
This film is essentially about the performances. The story is, frankly, silly. "Anatol" (Wallace Reid) is a bit of a cad, really. He may dress it up as a search for a more fulfilling love than that which he obtains from wife "Vivian" (Gloria Swanson), but he is just a wealthy womaniser who largely reaps what he sows in a series of escapades that see him seduce, get robbed, fleeced and generally played by a variety of scheming, manipulative or just plain opportunistic women until the whole thing comes full circle - and, now low and behold - his delightful wife has decided that perhaps two can play at the game - with her slightly needy friend "Max' (Elliott Dexter). I found the repetitive nature of the plot a bit dreary, and though it's wonderfully shot by De Mille it just drags on for way too long.There is far more intensity in the first hour - with some fun hypnotism from Theodore Kossoff (an unlikely choice for the Hindu "Nazzer Singh") and a wonderfully cathartic temper tantrum from Reid that could put Pickfords out of business for ever. For me - that might have been where to cut it short. As it continues, though, the hypocrisy of the characterisations become a little overwhelming. "It's amazing how tight the shoe can pinch - when it's on the other foot" is a cracking line from Swanson and sums the whole thing up nicely - just after too circuitous a route.