Status
Released
original language
English
Budget
$ 0
Revenue
$ 0

Supt Tom Halliday

Sergeant Ward

Mary Halliday

Tony Halliday

Police Constable in Information Room

Detective Sergeant in 'Q' car

Nightwatchman / Gilson

Deputy Commander

Chief Superintendent Jim Malcolm

Stone

Creasey

Slob

Detective Inspector at Chester

Colonel Blenkinsop

The Young Workman - Stanley James

The Young Workman's Wife - Mrs. James

Detective Inspector at Shipping Office

Cashier at Shipping Office

Detective Constable in Hospital Ward

House Surgeon

Secondhand Dealer

Police Constable Bates

Newspaper Circulation Manager

Mrs. Elliot / Mrs. Gilson

Welsh Police Constable

Welsh Newsagent's Daughter

Mr. Thomas

Official at Somerset House

House Agent at Shepperton

Housewife at Shepperton

Mrs. Stevens, the daily help

Detective Superintendent Ogilvie

Manager of Festival Hall

P.C. at Hospital (uncredited)

Detective (uncredited)

Urchin (uncredited)

Constable (uncredited)

Detective at Car Lot (uncredited)

Detective (uncredited)

Detective tailing Creasey (uncredited)

CID Man (uncredited)

Officer in Criminal Records Department (uncredited)
























Detective (uncredited)


Written by John Chard on 2016-08-07
The key is to follow the key! The Long Arm is directed by Charles Frend and written by Janet Green and Robert Barr. It stars Jack Hawkins, John Stratton, Dorothy Alison and Michael Brooke. Music is by Gerard Schurmann and cinematography by Gordon Dines. Detective-Superintendent Tom Halliday (Hawkins) heads up an investigation into a number of safe cracking robberies. Which in turn turns into a murder investigation. Out of Ealing Studios, this is a little cracker of a police procedural detective mystery. The flow of the investigation is natural, not given over to wild implausibilities, and always the air of mystery is potent. On the outskirts of the investigation there's a running thread about how policemen's wives/girlfriends suffer in their own ways, their men are married to the force, and this is delicately handled by the makers. While the moments of wry levity are not misplaced. Production is spiffing, with a number of London locations vibrantly used and given a film noir sheen by Dines (The Blue Lamp), while Frend (Scott of the Antarctic) keeps it tight and interesting whilst getting grand perfs from the cast - notably a wonderfully regal Hawkins. So if you are looking for an old time British policer that doesn't insult your intelligence, then you need look no further. 8/10