Status
Released
original language
English
Budget
$ 0
Revenue
$ 0

Jacqueline Fleuriot / Miss Pran / Madame X

Bernard Fleuriot

Raymond Fleuriot

Maurice Dourel

Hugh Fariman Jr.

Lerocle

Jean Rochin

Helene

Rose, Fleuriot's Houskeeper

Annette

Scipio

Dr. LaFarge

Nora

Hugh Fariman Sr.

Captain Dorcas

Fleuriot's Butler

Gendarme Testifying in Court

Silent Gendarme at Villa

Deck Steward on Yacht

Ferguson

Mexican Girl

Meryval

Peter Simonds

Hotel Porter

Mr. Edison

Raymond Fleuriot, Age 3

Clerk at Newspaper Office

Girl

Porter

Jailer

Nurse

Mate of Dorcas

Mother

Jailer

Spectator

Fleuriot's Clerk

Gendarme at Villa

Doctor in Court

Spectator

Detective

Pawnbroker

Girl

Wine Waiter

Gendarme in Court

French Newspaper Employee

Peridcord

Prefect of Police

Nun

Allan Simonds

Prosecutor Valmorin

Bartender in Montage

Gendarme with Prefect of Police

Spectator

Hotel Gran Via Proprietor

Raymond Fleuriot, Age 12-14

Customer at Nora's

Maitre d'Hotel

Taxi Driver

Waiter

Gendarme in Court for Jacqueline

President of Court

Clerk

Customer at Nora's

Suzie

Attorney in Court (uncredited)

Written by Geronimo1967 on 2025-07-18
When young lawyer “Raymond” (Raymond Hackett) is tasked with defending a self-confessed murderess, he tries to learn a little of just what drove her to commit a crime that she won’t explain nor attempt to hide from. It’s that retrospective that introduces us to “Madame X”. She (Ruth Chatterton) was a young woman married to an indifferent man “Louis” (Lewis Stone) whose unkindness drove her into the arms of another man. He died quite quickly afterwards, and her jealous husband forbade her access to their three year old son. Disconsolate, the woman took to a path of destitution and absinthe and that ultimately saw her in the courtroom. What we all know, though, is that this young man is the son of the powerful Attorney General of France, and that he - well he has a shame of his own to deal with that goes back many years and of which his son is unaware. She refuses to identify anyone from the story to “Raymond” but the harrowing gist of her tribulations stimulates in him a determination to exonerate a woman whom he considers to have been appallingly treated by her husband and life in general. Stone and Hackett both deliver fine here, but they very much play second fiddle to a Chatterton who is on great form as the beleaguered woman who, in front of our eyes, sees her life disappear into a doldrum of booze and despair. She has quite a lot of help from the make-up department and from a sympathetic production design that adds depth to her sorry tale, and though this isn’t the most quickly paced (melo)drama you will ever see, it’s a fine example of a woman exuding love, pain and even optimism in an environment where she has little, if any, status.