Status
Released
original language
English
Budget
$ 23000000
Revenue
$ 41000000

Robert Hanssen

Eric O'Neill

Kate Burroughs

Juliana O'Neill

Rich Garces

Dean Plesac

Bonnie Hanssen

John O'Neill

Geddes

Jim Olsen

D.I.A. Suit

Photographer

Agent Nece

Agent Sherin

Agent Loper

Lisa Hanssen

Greg Hanssen

Michael Rochford

Jane

Gene Connors

Tim Bereznay

Beautiful Reporter

Vivian O'Neill

Libyan Man

Libyan Wife

Trunk Cataloguer

SWAT Agent

Father McKee

Information Center Manager

Agent Pack

Director Louis Freeh

Richard

Special Agent in Charge

Man in Car

Latin Speaking Man at Church

Self (archive footage) (uncredited)

D.C. Driver on Bridge (uncredited)

FBI Agent (uncredited)

D.C. Police Officer (uncredited)

Woman on Cell Phone (uncredited)

FBI Agent (uncredited)

Written by Geronimo1967 on 2025-01-19
Though never really very versatile, Ryan Philippe delivers quite well in this fact-based drama about one of the most famous cases of espionage to ever happen in the USA. O'Neill is a tech specialist with aspirations to be an agent who is selected by Kate Burroughs (Laura Linney) for a very unique task. He is to work with the long established Robert Hanssen (Chris Cooper) on devising new ways to keep their systems safe from hackers. What we, and they, know is that Hanssen is suspected of being a mole, and a pretty darned substantial one at that. It's going to fall to O'Neill to try and find a way past the formidable defences of his new boss in the hope that they can entrap him. This won't be an easy task as Hanssen is a shrewd man, probably the most shrewd in the Bureau. Obviously this is a top secret mission, so he can't tell wife Juliana (Catherine Dhavernas) anything about what's going on - and that puts predictable strain on their marriage, especially as he begins to make some progress on a mark who likes nothing better than cat and mouse games - even with his own side! The story was huge news so there's not so much jeopardy, nor does Billy Ray really try to manufacture any. It's more a study of characterisations and Philippe and Cooper perform quite strongly on that front with some lively tit-for-tat dialogue and smouldering views on repressed religiosity. It could maybe lose ten minutes, but once it gets going it's quite a well paced thriller worth a watch.