Status
Released
original language
English
Budget
$ 0
Revenue
$ 0
Duke Fergus
Ann 'Flaxen' Tarry
Boss Tito Morell
Wolf Wylie
Rita Dane
Cyrus Danver, Owner San Francisco Star
Byline Conners, Reporter San Francisco Star
Calico Jim
Dr. Gorman
Martha, Morell's Secretary
Joe Disko, Gambler
Beulah, Flaxen's Maid
Collingswood
Hank
Horseshoe Brown
Smokey, the Train Engineer (uncredited)
Waiter (uncredited)
Gambler (uncredited)
Henchman (uncredited)
Morell Henchman (uncredited)
Blond haired boy delivering beer (uncredited)
Marie (uncredited)
Gambler (uncredited)
Barfly
Dancehall Girl
Barfly
Barfly
Barfly
Bill McGale
Specialty Dancer
Townsman
Telephone Man
Barfly
Mother Bronson
Townsman
Barfly
Bartender
Tom Buckman
Jud McCone
Barfly
Mr. Santer
Prominent Citizen
Whit Calverty
Dancehall Girl
Thompson, Townsman in Mob
Speaker
Cowboy
Attendant
Gambler
Barfly
Waiter
Barnes, the Dice Table Croupier
Bartender
Pedestrian
Train Fireman
Dancehall Girl
Fred Mallen
Dancehall Girl
Dealer
Dancehall Girl
Spectator at Dice Table
Casey
Gambler
Calico Jim's Bartender
Gleason, Rita's Agent
Barfly
Barfly in White Suit
Written by Geronimo1967 on 2022-07-01
Who ever came up with the title is to be commended. It suggests a storyline way, way, more interesting than this film turns out to actually be! "Tito" (Joseph Schildkraut) pretty much runs San Francisco and together with his gal "Flaxen" (Ann Dvorak) has quite a easy life - until, that is, cowboy "Duke" (John Wayne) arrives in town and takes a bit of a shine to the lady. He's just a touch too naive though for city life, and soon has to head home - broke - after being fleeced in the casino. Determined to win it all back - and more - he takes lessons in card-playing and soon returns, this time much better prepared to combat the dodgy goings-on at the card table, and to win the heart of the lady. Sadly, aside from a rare few scenes of fisticuff action, this is all rather dreary. The scenario is well trodden, and although Dvorak makes for quite a decent leading lady, the rivalry between the sophisticate crook and his handsome interloper just doesn't ever catch fire. The pace is just too forced, and there is far too much emphasis on the rather uninteresting love triangle element. This film is only really notable for the last fifteen minutes which offers us quite a well created and impressive look at just how the earthquake and subsequent fire devastated the city leaving carnage - and opportunity - in it's wake. Again there is plenty of charm from the star, but it is nowhere near enough to sustain this and though it might have been more impressive on a big screen, on a small one it proves merely to be quite a procedural and, frankly, dull, vehicle for Wayne that promises much but delivers little.