Status
Released
original language
English
Budget
$ 16000000
Revenue
$ 1897404
Oscar Hopkins
Lucinda Leplastrier
Reverend Dennis Hasset
Hugh Stratton
Mr. Jeffries
Mr. Tomasetti
Theophilus
Wardley-Fish
Betty Stratton
Narrator (voice)
Elderly Parishoner
Miss Shaddock
Percy Smith
Miriam Chadwick
Jimmy D'Abbs
Young Lucinda
Elizabeth Leplastrier
Abel Leplastrier
Young Oscar
Mrs. Williams
Fanny Drabble
College Student
College Student
College Student
George Loxwood
College Student
Mr. Ahearn
Mrs. Ahearn
Steamer Captain
Frazer
Hotel Maid
Society Gossip
Society Gossip
Miss Malcolm
Charley Fig
Dog Pit Caller
Belgian Boy
Belgian Grandmother
Belgian Mother
Glassworks Foreman
Miss Mary Hasset
Publican's Wife
Written by Geronimo1967 on 2023-08-27
This is a wonderfully good looking film with two strong performances from Ralph Fiennes ("Hopkins") and Cate Blanchett ("Lucinda"). The former is a bit of a loner being raised by his rather puritanical Pentecostal father. He absconds into the care of Anglican "Stratton" (Tom Wilkinson) who arranges for him to obtain an university education. Thing is, this brightly red haired lad doesn't really fit in, and is soon far more focussed on his rather effective system of gambling. Meantime, the latter, an Australian, has inherited a substantial fortune and invested it in a glass making factory (glass still being a bit of a luxury in 1850s Australia). When the two meet on a boat they realise that their isolation from society at large (and their fondness for a turn at the cards) gives them plenty in common and their relationship burgeons. When the two come up with a fairly outrageous wager between them - that they can build a church entirely of glass and ship it up-country to the remote town inhabited by preacher "Hassett" (Ciarán Hinds) the adventure elements hot up a little. The problem for me here, is that though the film looks lovely - and plenty of attention to detail has been payed to the costumes and general aesthetic, the story is really pretty weak. It tries to tackle issues of lonesomeness, religious bigotry and of the somewhat un-emancipated role of women in both Britain and Australia at the time, but somehow the thing never quite catches fire. It is paced very gently, and there are just too many characters to try to keep track of - the focus meanders a little too much, and the ending didn't make too much sense to me. I did quite enjoy watching it, and Blanchett is on good form - but I don't know that I would bother again.