Status
Released
original language
English
Budget
$ 16000000
Revenue
$ 4594452
Wyatt Earp
Tom Mix
Alfie Alperin
Cheryl King
Nancy Shoemaker
Victoria Alperin
Christina Alperin
Captain Blackworth
Chief Marvin Dibner
Dutch Kieffer
Arthur
Marty Goldberg
Hal Flynn
Mooch
Michael Alperin
Spanish Dancer
Rosa
Pancho (as Cástulo Guerra)
William Singer
Australian Houseman
Paul
Ed
Cowboy Fred
Cowboy Henry
Leo Vogel
George the Conductor (as Steem Tanney)
Frank Coe
Academy Speaker
Roscoe Arbuckle
Michael's Secretary
Dibner's Secretary
Candy Store Girl
Candy Store Girl
Director
Assistant Director (as Randy Bowers)
Stagecoach Lady
George
Alperin Butler
Alfie's 1st Wife
Gate Guard
Studio Guard
Jail Guard (as C. James Lewis)
Jail Inmate (as Bill Applegate)
Jail Inmates
Jail Inmates
Jail Inmates
Girls at Lunch
Girls at Lunch
Douglas Fairbanks
John Gilbert
Asuncion Maria Romero (as Irene Olga Lopez)
Cleaning Man
Mayor Robert Hellman
Car Attendant
Reporters
Reporters
Reporters
Reporters
Reporters
Reporters
Oliver Hardy (uncredited)
Newspaper Reporter (uncredited)
James Cagney (uncredited)
Thelma Todd (uncredited)
Mae West lookalike / Candy Girl (uncredited)
Billy Clanton (uncredited)
Boat Captain (uncredited)
Written by DrewBlack on 2021-02-13
This is one of those cases of a movie that should have worked way better than it did. Just the very idea of watching Earp and Mix solving some murder mystery in Holywood sounds incredible and fun to watch. However, Edwards' screenplay never truly finds its identity, floating between Neo-Noir, Western and Comedy. Maybe paired in Noir-Western or Comedy-Western it would've worked better: it just didn't know wheter to take itself seriously or not. That is, however, the only real problem with it. The production and time setting is awesome, with a shoutout to the costume design. Mix's especially. The colors are a sight to see, creating a warm-hot feel to the movie, reminiscent of the Western, but in a Noir setting. Mancini's soundtrack is one of the best I've ever heard. Perhaps as a consequence of the film's lack of true identity, Mancini went every which way with it. His "Sunday west" bits combined with more somber and serious tracks - reminiscent of his work on Touch of Evil (1958) - just complete each other so well. Willis is in a point in his career that is intersting to watch. Even before his greatest hit (and masterwork) Die Hard (1988), in which he hadn't found his persona yet. Still, he looks and sounds much like the star he would become months later, with a touch of Mix-cowboy in. He is a very "light" presence on-screen, and in the good way. McDowell is always a convincing actor, and his "Happy Hobo" Alfie Alperin is quite fun to watch - especially given the parallels to another Happy Hobo, Chaplin's The Tramp - but he isn't given a lot of screen time, and from the very beginning, it's quite clear that he is the villain. But the highlight of the film is the veteran James Garner. His incarnation of the legendary frontier lawman Wyatt Earp is (albeit anachronistic) one of the best. In my opinion, only second to Kurt Russell's in Tombstone (1993). That "hawk-eyed" archetype that Earp basically defines in pop-culture was very well-captured by Garner - even out of his "natural habitat" of the west. Sunset is a very fun, lighthearted buddy movie. It is a great movie that should have been an all time classic, yet it somehow feels right. It's a one-of-a-kind curio piece. And my heart says it deseves more recognition. Give or take a star or two.