Status
Released
original language
English
Budget
$ 18000000
Revenue
$ 55000000

Patty Palmer

Drake Goodman

Carter Hayes / James Danforth

Toshio Watanabe

Mira Watanabe

Stephanie MacDonald

Lieutenant Lou Baker

Dennis

Greg

Florence Peters

Liz Hamilton

Warning Cop

Bennett Fidlow

Loan Officer

District Attorney Henry

Realtor

Bank Teller

Precinct Cop

Revilla

Judge Mitchell Black

Hotel Front Office Manager Neil Spisak

Desk Clerk Victor

Motel Maid Patricia

Sergeant Bobby Amato

Mr. Thayer

Mrs. Thayer

Mrs. Smith

Child

Younger Man

Older Man

Bank Teller

George

1st Deputy Sheriff

2nd Deputy Sheriff

Locksmith Manford Bagel

Exterminator

Mr. Hill

Bill

Amy

Shoe Shine Man

Arresting Cop

Other Cop

Man at Police Station

Diamond Lady

Thug

Thug

Television Host

Neighbor

Neighbor

Neighbor

Neighbor

Neighbor

Neighbor

Neighbor

Neighbor

Neighbor

Ann Miller (uncredited)

Man in Elevator (uncredited)

Written by John Chard on 2014-11-15
Pacific Heights – Low Human. Pacific Heights is directed by John Schlesinger and written by Daniel Pyne. It stars Michael Keaton, Melanie Griffith, Matthew Modine, Laurie Metcalf and Mako. Music is by Hans Zimmer and cinematography by Amir M. Mokri. Young couple Patty and Drake plough all their resources into buying a large house in the affluent Pacific Heights area of San Francisco. With two apartments to rent they think their numbers have come in when they manage to find tenants for both. But one man, the mysterious Carter Hayes (Keaton), soon proves to be anything but the perfect tenant… There are twin terrors at work here, one is the tenant from hell, the other is the laws that protect him as he manipulates the system to its very stupid core. The makers do a very good job of making the film unsettling throughout, the ghastly menace who invades someone’s home and holds all the ace cards is a constant terrifying presence. Schlesinger for two thirds of the piece crafts a tightly wound thriller, unfortunately it just gets too daft for its own good as the cat and mousery reaches the culmination of plotting. Keaton is great, expanding upon the dark part of Bruce Wayne portrayal to be scarily smooth and convincing. Griffith is good value as well, and it’s great to see a female character showing great resourcefulness, but both actors are let down by Pyne’s screenplay in the last third where the psycho versus good lady section is too far fetched. Whilst Modine isn’t a good enough actor to pull off the furious husband act. A mixed bag, but mostly it beats a good thriller heart to keep it above average. 6.5/10