Status

Released

original language

English

Budget

$ 37000000

Revenue

$ 215394738

Top Billed Cast

Bill Murray

Peter Venkman

Dan Aykroyd

Ray Stantz

Sigourney Weaver

Dana Barrett

Harold Ramis

Dr. Egon Spengler

Rick Moranis

Louis Tully

Ernie Hudson

Winston Zeddemore

Annie Potts

Janine Melnitz

Peter MacNicol

Dr. Janosz Poha

Harris Yulin

Judge Wexler

David Margulies

Mayor Lenny

Kurt Fuller

Jack Hardemeyer

Janet Margolin

The Prosecutor

Norbert Grupe

Vigo

William T. Deutschendorf

Baby Oscar

Henry J. Deutschendorf II

Baby Oscar

Michael P. Moran

Frank the Doorman

Olivia Ward

Meter Maid

Mordecai Lawner

Man with a Ticket

Susanna Boehm

Young Woman on Crutches

Mary Ellen Trainor

Brownstone Mother

Christopher VillaseƱor

Brownstone Boy #1

Jason Reitman

Brownstone Boy #2

Aaron Lustig

Norman the Producer

Page Leong

Spengler's Assistant

Mark Schneider

Arguing Couple

Valery Pappas

Arguing Couple

Catherine Reitman

Girl with Puppy

Dave Florek

First Cop

Richard Foronjy

Con Ed Supervisor

George P. Wilbur

Bailiff

Sharon Kramer

Stenographer

Walter Flanagan

Rudy the Museum Guard

Bobby Brown

Mayor's Doorman

Christopher Neame

Maitre D'

Judy Ovitz

Slimed Restaurant Patron

Tom Dugan

Restaurant Cop #1

Angelo Dimascio

Restaurant Cop #2

Robert Alan Beuth

Store Manager

Ralph Monaco

Police Sergeant

Ron Cummins

Police Lieutenant

Cheech Marin

Dock Supervisor

Yvette Cruise

Maria, Dana's Maid

John Hammil

Detective #1

Ray Glanzmann

Detective #2

Alex Zimmerman

Detective #3

Brian Doyle-Murray

Psychiatrist

Louise Troy

Woman with Fur Coat

Douglas Seale

Plaza Hotel Man

Ben Stein

Public Works Official

Erik Holland

Fire Commissioner

Philip Baker Hall

Police Commissioner

Steve Baker

Telephone Man (uncredited)

Trish Cook

Nun at Statue of Liberty (uncredited)

Kevin Dunn

Milton Angland (uncredited)

Ryan Francis

Brownstone Boy #3 (uncredited)

Tyra ReneƩ Fuller

Driver (uncredited)

Jim Fyfe

Scoleri Brother / Ghost Jogger (uncredited)

George Gerard

Man in Cab (uncredited)

Donna Guidry

Art Restoration Student (uncredited)

Tim Lawrence

Scoleri Brother (uncredited)

Peter Papageorgio

Spectator (uncredited)

Kariim Ratcliff

Crowd Member (uncredited)

Ivan Reitman

Man Walking Outside Firehouse / Slimer (voice) (uncredited)

Ira S. Rosenstein

Stage Manager (uncredited)

Felix Silla

Courtroom Spectator (uncredited)

Max von Sydow

Vigo (voice) (uncredited)

Chloe Webb

Elaine (uncredited)

Justin Michael Woods

Baby on the Street (uncredited)

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Movie Reviews

A review by tricksy

Written by tricksy on 2015-06-09

This was another sequel that was fashionable to knock when it came out. It got panned because it couldn't live up to the first Ghostbusters. Well, what could? The first one was so original, so enormously popular than any sequel was bound to fail as far as matching it. This second Ghostbusters was just fine, very entertaining and it was nice to see all the main characters back. It had a little nicer feel to it and was more family-friendly language-wise, so it even had some things going for it the first one didn't have. The other major different in this sequel was watching Peter MacNichol, who reprized his "Renfield"-type character from Mel Brooks' "Dead: And Loving It" comedy with Leslie Nielsen. Here, MacNichol plays "Janosz Poha," another wacko with a thick Eastern European accent. He is hilarious, and elevates the enjoyment of this film. Otherwise, the rest of the cast plays and acts just as they did in the first film, which means you'll get a lot of laughs out of them The story just isn't as intense, that's all. No, it can't equal the original, but..... The bottom line is this: Don't try to compare the two films. If you enjoyed the first, you'll like this.....period.

A review by John Chard

Written by John Chard on 2019-06-25

Who you gonna snore? Ghostbusters II Is directed by Ivan Reitman and stars Bill Murray, Dan Aykroyd, Sigourney Weaver, Harold Ramis, Rick Moranis & Ernie Hudson. Ramis & Aykroyd c-wrote the screenplay and it's a sequel to the hugely successful Ghostbusters from 1984. Plot follows on from the first film but five years later and sees the Ghostbusters disbanded after being derided as frauds and handed a bill for the damages incurred as they saved the world! However, a new supernatural threat is bubbling down in the sewers of New York and now more than ever the Ghostbusters are back in vogue. It was probably asking too much for this sequel to be as sparkling as the first film. More so when one considers that there was a 5 year gap in between and a new decade was soon to arrive that firmly had no place for 80s nostalgia. Oh Ghostbusters 2 was a success, very much so, but after the rush of fans wanting some more from the kooky parapsychologists had died down, the feedback was very mixed from fans and critics alike. Understandably so since everything about this sequel is tired. The characters look bored and lack the expresso timing that was once evident, especially Murray who is badly underused here, and more troubling is that his Venkman, the best thing about the original film, is reduced to being a normal type bloke. That's criminal, because the spirited stuff falls to Aykroyd and co and tho they be solid pros, they ain't got Murray's wit and mannerisms. The story too is weak. Featuring a seventeenth century tyrant and the inevitable rise of spooks unbound. Thankfully, tho, the effects are at least of the high and gloopy standard set first time around. And there's some tight gags in there for the knowing Ghostbuster ear. But repetition hangs heavy throughout, Ramis & Aykroyd seemingly not grasping that what worked in 84 will not totally transfer well to a new crowd who are now older and wiser. There's also the distinct feeling that this film is more about a cast get together to make some easy cash than enticing in a whole new audience. Peter MacNicol is a welcome introduction to proceedings as Janosz Poha, while more of "slimer" (who is now real cool) is never a bad thing. But the magic is gone and Ghostbusters 2 just comes off as shallow and dangerously close to soiling our love of the first picture. 4/10

A review by Peter89Spencer

Written by Peter89Spencer on 2020-10-27

'They're back!' I watched this straight after the first one. It was just as good as the first film. I enjoyed it.

A review by Geronimo1967

Written by Geronimo1967 on 2023-01-04

I can't say that I really loved the first film and this didn't really advance that view much. It was clearly just made to capitalise on that huge success without anyone really bothering to develop the characters or build much of a story. Indeed - all it really does is introduce a baby (aww) and swap the baddies - this time we have the slightly camp Carpathian "Vigo" (the splendidly named Wilhelm von Homburg) - whom our established quartet must defeat to save the world from oblivion (and the poor soundtrack). The visual effects are adequate, but the rest of it is just a rather pale and unremarkable rehash of the 1984 effort with similar humour and scenarios that are predictably slap-stick and dull. Sigourney Weaver pops up now and again but her "Dana" character has little to bring to this and frankly, I was really quite bored by the mundanity of it. Funniest bits are under the credits but sorry, I like my comedy just a shade more sophisticated than this childish stuff. I wouldn't bother.

A review by kevin2019

Written by kevin2019 on 2024-12-06

"Ghostbusters II" easily recreates the spirit (if you'll pardon the pun) of the original and it is very engaging and entertaining viewing throughout, especially for a sequel where money is usually the only primary motivating factor. Of course, this is probably the case here as well, but at least there is a concerted effort by screenwriters Harold Ramis and Dan Aykroyd to refresh the range of cliches on offer that made the previous film so much fun and phenomenally popular back in 1984. However, even though the crowds of people are still gathered on the sidewalks of New York to enthusiastically cheer our eccentric heroes on to success and there are plenty of outrageous and bombastic ideas to keep the whole crazy enterprise afloat none of it can really rival the absurd spectacle of the marshmallow man Mr. Stay-Puft striding through the city in the first film.