Status
Released
original language
English
Budget
$ 900000
Revenue
$ 0

Drina Gordon

Dave Connell

Joe "Baby Face" Martin

Kay Burton

Francey

Hunk

Mrs. Martin

Tommy Gordon

Dippy

Angel

Spit

T.B.

Milty

Philip Griswald

Mr. Griswald

Police Officer Mulligan

Mrs. Connell

Mrs. Fenner

Pascagli

Governess

Doorman

Dr. Flynn, Intern (Uncredited)

Policeman at Killing (Uncredited)

Policeman in Drina's Apartment (Uncredited)

Detective at Killing (Uncredited)

Police Lieutenant at Killing (Uncredited)

Old Man (Uncredited)

Coroner at Killing (Uncredited)

Griswald's Chauffeur (Uncredited)

Man with Weak Voice (Uncredited)

Baby (Uncredited)

Drunk (Uncredited)

Kay's Chauffeur (Uncredited)

Whitey (Uncredited)

Policeman on Morning Beat (Uncredited)

Neighbor with Coarse Voice (Uncredited)

Milty's Sister (Uncredited)

Nurse (Uncredited)

Old Lady with Old Man (Uncredited)

Woman with Poodle (Uncredited)

Woman with Poodle (Uncredited)

Well-Dressed Woman (Uncredited)

Well-Dressed Man (Uncredited)

Tough Boy Looking for Fight (Uncredited)

Tough Boy Looking for Fight (Uncredited)

Boy on Dock (Uncredited)

Boy (Uncredited)

Boy (Uncredited)

Boy (Uncredited)

Boy (Uncredited)

Girl (Uncredited)

Girl (Uncredited)

Boy (Uncredited)

Written by Geronimo1967 on 2022-06-20
OK, so this is definitely not the cheeriest of stories but Bogart and Joel McCrea are on good form throughout this gritty drama of hardship and depravity on the East Side of New York. "Baby Face Martin" - who, to be fair, maybe benefits a bit optimistically from the moniker - returns to his childhood home to reunite with his mother and childhood sweetheart. His mother wants nothing to do with him and his ex "Francie" (Claire Trevor) turned to prostitution and hasn't long to go before syphilis does for her. Meantime his friend, aspiring/struggling architect "Dave" (McCrae) is juggling his romantic interests between sweet but rather dreary "Drina" and "Kay" (Wendy Barrie) who already has a rich boyfriend. All of this misery is made all the more poignant by the fact that this ghetto is overlooked by the apartments of the wealthy that have relocated to new properties that overlook the adjacent East river. When Bogart decides that he wants to re-assert himself in the community by organising a high-profile kidnapping, he and his erstwhile friend find themselves on opposite sides of the plot! The crime drama is there, but it is comparatively weak compared with the pretty blatant social commentary from Lillian Hellman's screenplay that draws attention, unashamedly, to the stark contrast between the standards of living (and dying) of those just yards apart.