Status
Released
original language
English
Budget
$ 0
Revenue
$ 2465960

Lucky Mann

Phyllis Hart

Marianne Byron

Jeffrey Byron III

Donald Duncan

Cassie

Helene Pelletier

Bernard Ornay

Isabel Marino

Gloria Marino

Monica Bloom

Count Falco / Jack Dana

Doctor

Judy the Waitress

Byron's Concierge

Pedro

Frederico

Falco's Butler

Derelict in Park

Chateau Lenore Pianist

Chateau Lenore Singer

Maitre D'

Security Guard

Hotel Receptionist

Ritz-Carlton Bartender

Chinese Restaurant Hostess

Restaurant Owner

Janitor (uncredited)

Ritz-Carlton Doorman (Special Skill) (uncredited)

Musician (uncredited)

Written by Geronimo1967 on 2025-02-23
“Marianne” (Lara Flynn Boyle) is sexily awaiting the return home from work of her executive husband “Jeffrey” (Jonny Lee Miller) but he just mutters something about a jockstrap and shows her little interest. Exasperated, she also needs an handyman to do some household plumbing and so alights on “Lucky” (Nick Nolte). Now he is married to “Phyllis” (Julie Christie) but isn’t averse to playing away from home now and again and so, well what now ensues rather surprised me. Not because it’s very good, but because Julie Christie took part in it. For a film that’s about relationships, possessiveness and sex it’s a shockingly sterile exercise with JLM as wooden as picket fence and Nolte just not at all convincing as the sex magnet his aptly named character would have us believe. “Phyllis” is an erstwhile actress and is a classy woman too, so what she’d ever have seen in her scruffy philandering husband didn’t leap of the screen at me in the first place. The same could be said of the plausibility of the other marriage that’s unsurprisingly struggling here. Perhaps the scenario is supposed to engender empathy from those of us in marriages that have entered cruise control and that have no longer any flare in them, but I just couldn’t find anything about any of these people that I wanted to like, so I couldn’t really have cared less. I did quite like the house with all the gadgets (maybe not the blue lights) but the rest of this, save for some acerbic dialogue from Christie, just didn’t really impress, sorry.