Status
Released
original language
English
Budget
$ 0
Revenue
$ 0

Danny O'Neill

Ellen Miller

Himself

J. Lester Chisholm

Hank Taylor

Stu

Mr. Dunn

Clerk

Secretary

Receptionist

Scrubwoman

Shaw's First Manager (uncredited)

Room Service Waiter (uncredited)

Tenor Sax Player (uncredited)

Ticket Taker (uncredited)

Trombone Player (uncredited)

Trumpet Player (uncredited)

Waiter (uncredited)

Trumpet Player (uncredited)

Reporter (uncredited)

Elevator Passenger (uncredited)

Bass Player (uncredited)

Drummer (uncredited)

Stagehand (uncredited)

Piano Player (uncredited)

Western Union Boy (uncredited)

Guitar Player (uncredited)

Trombone Player (uncredited)

Tenor Sax Player (uncredited)

Boris (uncredited)

Spinster (uncredited)

Elevator Passenger (uncredited)

Shaw's Second Manager (uncredited)

Ivan (uncredited)

Sam - Elevator Operator (uncredited)

Musician (uncredited)

Disappointed Fan at Stage Door (uncredited)

College Clarinetist (uncredited)

Alto Sax Player (uncredited)

Waiter (uncredited)

Little Blonde Girl Dancing (uncredited)

Headwaiter (uncredited)

Alto Sax Player (uncredited)

College Boy with Zinc Oxide on His Nose (uncredited)

Dancer / Singer (uncredited)

Trumpet Player (uncredited)

Waiter (uncredited)

Sergei (uncredited)

Trumpet Player (uncredited)

Night Club Patron (uncredited)

Messenger (uncredited)

Written by Geronimo1967 on 2025-02-15
This has some good ingredients but somehow the sum of the parts just misfires as even some lively Artie Shaw-led numbers just fizzle out. It doesn’t really help that there’s not much chemistry between Fred Astaire’s “Danny” and either his partner in crime “Hank” (Burgess Meredith) or their old pal/manager “Ellen” (Paulette Goddard). The two men have been exploiting the college band gravy train for almost a decade but have now finally been forced into the outside world to fend for themselves. They both play the trumpet and guess what… Artie is looking for a trumpeter! What he is also looking for is someone to take on the management of his popular orchestra and so the seeds are sewn for some song and dance comedy as the two men vie for both her and a job! It’s not a bad film, it’s just flat. The routines are all just a little pedestrian and even Johnny Mercer’s usually reliable pen can’t breathe much life into “Dig It” or “Would You Want to be…?”. There are a few decent moments as Shaw’s band manages to get toes a-tapping, and we are reminded that Astaire was no slouch on the piano, but even given it was made as the war was looming larger in the USA, this is all just a bit derivative and sloppily edited. It just goes to show that even the best and most accomplished stars can’t make an engaging double-act out of a sow’s ear.