Status

Released

original language

English

Budget

$ 0

Revenue

$ 0

Top Billed Cast

John Payne

Joe Rolfe

Coleen Gray

Helen Foster

Preston Foster

Tim Foster

Neville Brand

Boyd Kane

Lee Van Cleef

Tony Romano

Jack Elam

Pete Harris

Dona Drake

Teresa

Mario Siletti

Tomaso

Howard Negley

Andrews

Carleton Young

Martin

Don Orlando

Diaz

Ted Ryan

Morelli

Orlando Beltran

Porter (uncredited)

Ray Bennett

Prisoner (uncredited)

Chet Brandenburg

Robbery Spectator (uncredited)

Barry Brooks

Player (uncredited)

Charles Cane

Detective Barney (uncredited)

Edward Coch

Airline Clerk (uncredited)

James Conaty

Man at Craps Table (uncredited)

Tom Dillon

Policeman (uncredited)

George Dockstader

Policeman (uncredited)

Paul Dubov

Eddie (uncredited)

Paul Fierro

Paul Garcia (uncredited)

Eddie Foster

Shooter (uncredited)

Dick Gordon

Casino Patron (uncredited)

Tom Greenway

Policeman (uncredited)

William Haade

Detective Mullins (uncredited)

Al Hill

Stickman (uncredited)

Harry Hines

News Vendor (uncredited)

Paul Hogan

Bouncer (uncredited)

Don House

Policeman (uncredited)

Vivi Janiss

Mrs. Rogers (uncredited)

Helen Kleeb

Mrs. Crane (uncredited)

Paul Kruger

Tough Detective (uncredited)

Mike Lally

Stickman (uncredited)

Roger Moore

News Vendor's Customer (uncredited)

House Peters Jr.

Policeman (uncredited)

Lee Phelps

Jailer (uncredited)

Sam Pierce

Workman (uncredited)

Paul Ravel

Casino Patron (uncredited)

Joey Ray

Houseman (uncredited)

Carlos Rivero

Shooter (uncredited)

Ric Roman

Rick (uncredited)

Frank J. Scannell

Stickman (uncredited)

Sam Scar

Player (uncredited)

Jack Shea

Policeman (uncredited)

Charles Sherlock

Stickman (uncredited)

Brick Sullivan

Policeman (uncredited)

Charles Sullivan

Player (uncredited)

Phil Tead

Mr. Collins (uncredited)

Archie Twitchell

Police Dispatcher (uncredited)

George D. Wallace

Olson (uncredited)

Kay Wiley

Woman (uncredited)

Jeff York

Capt. McBride (uncredited)

Similar Movies

Movie Reviews

A review by John Chard

Written by John Chard on 2019-07-01

Unlucky Joe And The Torn In Half Kings. Kansas City Confidential (AKA: The Secret Four) is directed by Phil Karlson and written by George Bruce and Harry Essex. It stars John Payne, Preston Foster, Coleen Gray, Neville Brand, Jack Elam and Lee Van Cleef. Music is by Paul Sawtell and cinematography by George E. Diskant. Plot sees four robbers hold up an armoured truck and get away with over a million dollars. Sadly for everyday and ordinary Joe Rolfe (Payne), he's set up and accused of being involved in the robbery. But he wont go down without a fight, and promptly calls upon his dark half to seek out the actual culprits himself. "In the police annals of Kansas City are written lurid chapters concerning the exploits of criminals apprehended and brought to punishment. But it is the purpose of this picture to expose the amazing operations of a man who conceived and executed a "perfect" crime, the true solution of which is "not" entered in "any" case history, and could well be entitled "Kansas City Confidential". Produced by Edward Small, Kansas City Confidential is believed to be the only film released out of Small's own Associated Players and Producers studio. Still, if you are going to only have one film on your studio résumé, you have to be thankful that it's a little cracker. More "B" movie grit than film noir flecked nastiness, Karlson's movie is lean, mean and structured with knowing skill by the director. From the tremendous tension fuelled opening of the heist planning and execution, through to the deadly payoff at the finale, film is awash with knuckle slappings, shifting identities and the turning of the protagonist's psychological make up. Were it not for one of "those" endings, and the telegraphing of optimism slightly shunting the pessimistic atmosphere out of the headlights, this would undoubtedly be far more revered and better known in film noir/crime movie circles. First thing to note of worth is the cast assembled for the picture. Payne was already leaving behind his formative acting years in family fare like Miracle On 34th Street and Footlight Serenade, reinventing himself as a dramatic actor in films such as The Crooked Way. He's a perfect fit for Joe Rolfe, an ex-con war veteran down on his luck, he has his every man qualities pummelled out of him by the police, so much so he has to turn bad to prove that he's good. The change is believable in Payne's hands, his face that of normality in the beginning, but latterly icy cold and untrustworthy. A trio of "B" movie stalwarts make up the thugs gallery, Jack Elam is sweaty and worm like, Lee Van Cleef is snake faced and pulsing bad attitude, while Neville Brand exudes borderline psychotic menace. Unfortunately Preston Foster as the "boss" man is not altogether convincing, but in a film where characters are not always what they seem, this doesn't hurt the film. Coleen Gray shows a nice pair of legs for the boys, but with Karlson not bothered about fleshing out the romantic and flirting aspects of her relationship with Payne, she exists only as a secondary cog between Payne and Foster's characters. This is no femme fatale character, sadly, no sir. Music is standard fare and Diskant's photography only fleetingly shows some noir flourishes. However, with two fists full of grit from which to punch, and some boldness in the narrative involving police brutality, Kansas City Confidential comes out as one of the better "B" ranked crime movies of the 50's. 8/10

A review by Geronimo1967

Written by Geronimo1967 on 2022-09-11

This is quite a clever, well paced crime-noir with a really rather good performance from John Payne as "Joe", a former soldier/ex-con who, whilst on his routine flower-delivery rounds - ends up getting framed for a massive armed robbery. Luckily for him, the police can't press charges - all the robbers wore masks - and so he decides to track down the thugs and claim a share of the cash for himself. You get where this is going early on, but when you see Jack Elam and Lee Van Cleef on the cast list, you know that you are in for a bumpy ride. There are plenty of crosses and double-crosses as he and the gang (none of whom know the identity of their criminal mastermind) try to get to Mexico and to the loot. It's a good end-to-end action adventure, with a taut, eery score from Paul Sawtell adding much to the sinister lighting effects that give this film a much better than average sense of suspense.