Status
Released
original language
English
Budget
$ 0
Revenue
$ 0

Mrs. Carol Edwards

Mrs. Christopher

Stephen Mundy

Dr. Giles Freeman

Maurice Edwards

Mr. Sine

Alma

Lord Dearsley

Police Constable

Hugh Sainsbury

Sine's Housekeeper

Police Constable - Giles' Car

Patrick

Chief Printer

Sub-Editor

Inspector Canin

Mary

Supt. Crowe

Crowe's Assistant

Maurice's Taxi Driver

Maggie

Giles' Assistant

Hugh's Secretary

Bathing Beauty Competitor

Matron

Nurse Anne

Mary's Day Nurse

Mary's Night Nurse

Mrs. Porritt - a Patient

Nurse in Corridor

Maggie's Doctor

Dr. McCormick

1st Nurse in Hall

2nd Nurse in Hall

Doctor

Written by Geronimo1967 on 2025-03-02
This is quite a cleverly conceived drama that does ask us whether, ever, two wrongs might actually make a right. It’s after “Mary” (Shirley Wright) is involved in a road accident that hospital almoner “Mrs. Christopher” (Fay Compton) is called in to comfort the injured woman and finds herself charged with delivering an envelope. Inadvertently, she walks in on the nasty “Sine” (James Robertson Justice) in the middle of blackmailing a young woman. A scuffle ensues and next thing, she, “Carol” (Mai Zetterling) and “Dr. Freeman” (Robert Flemying) have quite an headache. That only gets worse when “Munday” (Dirk Bogarde) walks in on this lurid scene then promptly scarpers. With a police investigation imminent, the folks try to go about their day-to-day business only to find a series of seemingly unrelated incidents gradually and somewhat nervously brings them all together and facing a tough decision. It’s quite a good idea, this, but the execution is all rather bitty. At times it comes across as an amalgam of other Bogarde films only here serendipity plays maybe just too much of a role as we build to a vaguely comedic, convenient, denouement. There’s a bit more of a substantial role here for Michael Gough as the bed-ridden husband “Maurice” which he delivers quite well, but there’s little chemistry between Zetterling and Flemying and Compton seemed content to settle for offering us a gentle, softly lit, impersonation of Dame May Whitty. It was lost for a long time, apparently, which is quite curious given it’s cast but not so much given it’s substance.