Status
Released
original language
English
Budget
$ 57000000
Revenue
$ 153000000

Kevin Lomax

John Milton

Mary Ann Lomax

Eddie Barzoon

Mrs. Lomax

Christabella

Alexander Cullen

Jackie Heath

Leamon Heath

Pam Garrety

Weaver

Melissa Black

Diana Barzoon

Meisel

Gettys

Mrs. Gettys

Gettys' Son

Barbara

Barbara's Father

Florida Prosecutor

Florida Judge

Florida Reporter

Florida Bailiff

Florida Lawyer #1

Junkie

Boy

Judge Sklar

Pie Face

Metro D.A.

Chinese Man

Menage A Trois Woman

Don King

Fight Fan

Fight Fan

Joyce Rensaleer

Takaori Osumi

Parvathi Resh

Bashir Toabal

Multi-Lingual Party Guest

Female #1

Limo Driver

Botanica Woman

Big Guy #1

Big Guy #2

Babs Coleman

Tiffany

Spanish Restaurant Manager

Flamenco Guitarist

Flamenco Singer

Flamenco Dancer

Alessandra

Therapist

Feeney the Doorman

Paparazzi

Gizelle

Woman Judge

Reporter #1

Reporter #2

Reporter #3

Judge Poe

Bailiff #1

Bailiff #2

Broygo

Technician

Old Man #1

Old Man #2

Jogger #1

Jogger #2

Nurse

Nurse #2

Patient Marie

Priest

Orderly #1

Senator Alfonse D'Amato

Ambassador Charles Gagano

Lou Rudin

Ernie Grunfeld

Alan Grubman

Helicopter Pilot

Band - Cadillac Moon

Band - Cadillac Moon

Band - Cadillac Moon

Band - Cadillac Moon

Band - Cadillac Moon

Walter Krasna (uncredited)

Phillipe Moyez (uncredited)

Demon Sculpture - Main Woman (uncredited)

Written by JPV852 on 2020-09-19
Apparently I saw this before (had a rating on my computer program) but didn't really remember much of it. A bit uneven between a serious drama with supernatural fantasy, but I had fun with these performances by Reeves and Pacino (forgot how normal he once looked) and never a bad thing with Charlize Theron and Connie Nielsen being there for the obvious reasons. Not great and could've cut some of the running time but still found it somewhat entertaining. **3.5/5**

Written by GenerationofSwine on 2023-01-14
OK, full disclosure, I have a thing for Al Pacino. I'll watch just about anything he's in and...if he screams and yells a monologue in it, if he delivers a diatribe of rage....yeah I get flashbacks to him screaming: "I'd take a flame thrower to this place" and roll my eyes back like a shark in a feeding frenzy. Oh, yeah, almost forgot, Keanu is in this one too...but for a good slice of the film he doesn't play the most savory of characters and, really, honestly, he just seems too nice to play a lawyer... ...but despite that he does a pretty good job of exhibiting the ego that has to come with the law profession...just not the vile evilness. So, I can't totally fault him for miscast as I could for Dracula. Jeffery Jones is in there too and due to recent revelations he totally fits the sleazy lawyer role. But yeah, 1997, the 90s had a way with films that was only really beaten by the 70s and The Devil's Advocate is one of those films that could really only be made in those two decades. Stand alone horror not intended as a franchise piece and one with a twist that asks you to think a little. No way that would be made today and that is a shame. I could tout its glory, but really, honestly, the movie could have stank and I wouldn't care thanks to Pacino screaming "I'm a fan of man!" It's worth the watch.

Written by Geronimo1967 on 2023-05-15
If it looks too good to be true, then it probably is... That's what "Kevin" (Keanu Reeves) must learn to appreciate after he is offered a dream job at a prestigious New York legal firm by "Milton" (Al Pacino). The potential wealth and the status of his new career path bring out the green-eyed monster in him and together with his reluctant wife "Mary-Ann" (Charlize Theron) they are soon living it up in their penthouse apartment with plenty of money but an increasingly dwindling amount of time together. She starts to cool on their arrangement and wants to return to Florida but pretty soon it's clear that "Kevin" is addicted - and not to her! Pacino is on good form here as it becomes clear just who his character is, and how adeptly he is pulling all the strings and manoeuvring his new charge into a position that might suggest that the clue is in the title! Now as a life-long lover of the baddie in films, I felt a bit let down by the ending. Faust it isn't - but, to be fair, it still goes as close as Hollywood will probably ever go in portraying a characterisation of the epitome of evil (and offering a wonderful critique on vanity being the downfall of mankind) that actually has a fighting chance of prevailing! Reeves is not the finest actor to grace our screens. Easy on the eye, certainly, but somehow he's just a bit too lightweight here. That might be because, however, Pacino is very much in his element and even though it can drag at times during the almost 2½ hour running time, it's a remarkably compelling ride that still holds up quite well.