Status
Released
original language
English
Budget
$ 9000000
Revenue
$ 4300000

Curt Wild

Brian Slade

Mandy Slade

Arthur Stuart

Jerry Devine

Shannon

Cecil

Female Narrator (voice)

Wilde Housemaid

Oscar Wilde (8)

Jack Fairy (7)

Jack Fairy

BBC Reporter

Kissing Sailor

Young Man

Lou

Mary

Murray

Tommy Stone

Girl on Subway

Mr. Stuart

Mrs. Stuart

Manchester Teacher

Arthur's Brother

Boy in Record Shop 1

Boy in Record Shop 2

Brian Slade (7)

Pantomime Dame

Pianist

Mod Girlfriend

Mimosa

Curt Wild (13)

Bartender

Cooper

Angel

Freddi

Micky

Cecil's Friend 1

Cecil's Friend 2

Rodney

Middle Age Man

30's Style Singer

Reporter 1

Reporter 2

US Reporter 1

US Reporter 2

US Reporter 3

Teenage Girl

Malcolm

Ray

Pearl

Billy

Trevor

Reg

Harley

Bass Guitar

Lead Guitar

Drummer

Polly Small

Lead Guitar

Bass Guitar

Drummer

Written by Ruuz on 2017-05-31
If you stop for five minutes to actually think about the plot, Velvet Goldmine falls apart, but if you just think about how off-the-charts wonderful all the individual aspects are, you'll be just fine. _Final rating:★★★½ - I strongly recommend you make the time._

Written by Geronimo1967 on 2023-08-28
With the swinging sixties finally on the wane, "Brian Slade" (Jonathan Rhys Meyers) is starting to feel redundant. His career seems doomed - until that is, he is inspired by the potency of a "Curt Wild" (Ewan McGregor) concert and like a caterpillar to a butterfly, is reborn as the sexually ambiguous "Maxwell Demon" a glam rock icon inspiring adulation the world over. Just as he reaches his zenith, however, it all ends rather suddenly. Ten years after that shocking performance, journalist "Arthur Stuart" (Christian Bale) decides to investigate just what did happen. Todd Haynes has created quite an hedonistic display for us, here. The three lead performances - especially Meyers - really embrace the ethos of the period. The sex, drugs, rock and roll mentality where anything and everything goes is really well reflected. It's not the characters that let this down, though - it's the shambolic narrative and the initial theme just seems to become subsumed in Haynes' desire to show us something that might have been shocking then, but kind of isn't now. Shades of David Bowie, Elton john, Iggy Pop - you name it; but sadly - very little originality. Still it's enjoyable to watch and the actors keep the whole things suitably messy for what did feel like an over-long 2 hours.