Status
Released
original language
English
Budget
$ 20000000
Revenue
$ 32000000

Helen Hudson

M.J. Monahan

Ruben Goetz

Peter Foley

Daryll Lee Cullum

Lt. Quinn

Nicoletti

Andy

Susan Schiffer

Pachulski

Kerby

Kostas

Landis

Cop #1

Mike

Gigi

Festival girl

Harvey

Conrad

Burt

KXBU Anchorman

SWAT Commander

Chinese Kid

Doc

Peter's Wife

Cop #2

Jogger

Photographer

Peter's Mother

Tech Guy #1

Fred

Attorney

Judge

Young Peter

Felix Mendoza

Paramedic

Mac

Chinese Detective

Hal

Head Waiter

Coroner's Man

Festival Dude

Commissioner Petrillo

SWAT #1

Landlady

Michelle

Man in Corridor

Haircut Man

Bodger the Cop

L. Bottemy

Uniformed Policeman

Disturbed Tenant #1

Disturbed Tenant #2

Disturbed Tenant #3

Disturbed Tenant #4

Male Jogger

Thug

Screaming Woman

Dock Onlooker

Paramedic

Victim in Car at Gas Station

Burglar (uncredited)

Written by Geronimo1967 on 2022-09-03
Sigourney Weaver is "Helen", a psychologist who has a major panic attack if she has to leave her apartment to fetch a newspaper from the corridor outside! She is, however an expert on what drives serial killers - having had a pretty near death experience with one earlier in her career - Harry Connick Jnr, no less. When a copycat starts to kill young women, she is drafted in by police officers "Monahan" (Holly Hunter) and her partner "Goetz" (Dermot Mulroney) and together they have to track down this masochistic individual before he strikes again. To make things more interesting, the killer starts to get in touch with them, to tease and goad them - he even gives them a name - but can they apprehend him before his spree continues unabated? It's an OK crime drama this, no better really. The cast work well enough, but the plot is riddled with holes that rather rob the thing of much jeopardy and provide for an ending that you can see from space. Sigourney Weaver does enough, and Hunter makes for quite a feisty and determined cop but the pace of this overlong feature is lethargic at best, with too many distractions in the story that render much of this quite tedious at times. Perhaps, had Jon Amiel tightened up the script a bit and cut out some of the unnecessary character development stuff, we might have been left with a more potent catch-me-if-you-can. As it is though, this is all pretty unremarkable.