Status
Released
original language
English
Budget
$ 0
Revenue
$ 0

Ruxton Towers Reformatory Governor

Colin Smith

Mrs. Smith

Brown, House Master

Mike

Roach

Detective

Audrey

Gladys

Willy Gunthorpe - Ranley School Runner (uncredited)

Bosworth (uncredited)

Chief Borstal Officer (uncredited)

Stacy (uncredited)

Green (uncredited)

Gordon (uncredited)

Fenton (uncredited)

Scott (uncredited)

Mr. Smith (uncredited)

Lord Jaspers (uncredited)

Mr. Jones (uncredited)

Booking Office Clerk (uncredited)

Tory Politician (uncredited)

Harry Craig (uncredited)

Borstal Inmate (uncredited)

Borstal Inmate (uncredited)

Army Officer at Sports Day (uncredited)

Man in Cafe (uncredited)

Ronalds (uncredited)

Doctor (uncredited)

Bit Part (uncredited)

Extra (uncredited)

Johnny Smith - Colin's Brother (uncredited)

Johnny Smith - Colin's Brother (uncredited)

Army Officer at Sports Day (uncredited)

Borstal Master at Meeting (uncredited)

Stacy (uncredited)

Alice Smith - Colin's Sister (uncredited)

Bill Smith - Colin's Brother (uncredited)

Borstal Master in Workshop (uncredited)

Spectator at Sports Day (uncredited)

Prison Warder (uncredited)

Plainclothes Policeman (uncredited)

Ranley Headmaster (uncredited)

Ranley Boy (uncredited)

Written by Geronimo1967 on 2024-11-19
Tom Courtenay is superb as "Colin Smith" who, along with his pal "Mike" (James Bolam) spends much of his time committing petty crimes to alleviate the boredom of his life. When his father dies, his rather venal mother (Avis Bunnage) can't wait for the insurance money; hooks up almost immediately with another man and this all serves to push "Colin" further into his criminal activities. He is eventually apprehended after robbing a bakery and sent to a reformatory where warden Michael Redgrave spots his abilities as a runner. Determined to help the boy from his path of self-destruction the two begin an uneasy relationship that continues after his release when he must race for his school against a neighbouring private school that has advantage and privilege. It is a superbly paced, considerately directed rite-of-passage story; a young man facing indifference from family and society who lucks out, to some extent, with an authority figure who actually gives a damn. At times bleak, it offers quite an interesting insight into the (lack of) opportunity for many in early sixties Britain. The performances are strong, based on good, solid writing supported well by a few now familiar faces - Edward & James Fox; Frank Finlay and Derek Fowlds.