Status
Released
original language
English
Budget
$ 9000000
Revenue
$ 83304330
Tevye
Golde
Motel
Yente
Lazar Wolf
Tzeitel
Hodel
Chava
Perchik
Fyedka
Shprintze
Bielke
Mordcha
Rabbi
Constable
Avram
Nachum
Mendel
Russian Official
Fruma Sarah
Grandma Tzeitel
Fiddler
Shandel
Yankel
Berl
Hone
Farcel
Moishe
Rifka
Ezekial
Sheftel
Sexton
Priest
Russian Dancer
Russian Dancer
Russian Dancer
Russian Dancer
Russian Dancer
Russian Dancer
Russian Dancer
Bottle Dancer
Bottle Dancer
Bottle Dancer
Bottle Dancer
Dancer (uncredited)
Village Band Member (uncredited)
Dancer (uncredited)
Village Band Member (uncredited)
Dancer (uncredited)
Dancer (uncredited)
Bashe (uncredited)
Yussel (uncredited)
Leibesh (uncredited)
Russian (uncredited)
Villager in Green Dress (uncredited)
Dancer (uncredited)
Gnessi (uncredited)
Village Band Member (uncredited)
Dancer (uncredited)
Bess (uncredited)
Isaac (uncredited)
(uncredited)
Village Band Member (uncredited)
Zelda (uncredited)
Dancer (uncredited)
One of Rabbi's students (uncredited)
Previous Rabbi (uncredited)
Dancer (uncredited)
Marcus (uncredited)
Dancer (uncredited)
Dancer (uncredited)
Nechama (uncredited)
Dancer (uncredited)
Man in Dream Sequence (uncredited)
Village Band Member (uncredited)
Village Band Member (uncredited)
Written by Geronimo1967 on 2023-05-29
Topol ("Tevye") is superb in this telling of a tale of an agrarian Jewish father in late 19th century Russia who has three daughters. The basic premiss is that he has to arrange suitable "matches" for them. With the aid of some classic numbers like "Matchmaker" & "If I was I Rich Man" we share his experiences and adventures as he attempts, with varying degrees of success, to find suitable husbands for his girls. Set against a backdrop of religious intolerance, and ultimately a pogrom, this is a clever, engaging depiction of the harsh conditions endured by rural Russians in general and the Jewish community specifically. Norman Jewison contrives to reconcile sometimes quite brutal stories of religious prejudice with a defiantly gentle, joyful communal spirit in a thought-provoking and personable fashion. Jerry Bock's instantly recognisable score - based around a delicate, witty and entertaining lyric from Sheldon Harnick makes this as good as any of the genre and although it does drag a bit at the start of the second act, it passes the three hour mark with considerable style.