Status
Released
original language
English
Budget
$ 9000000
Revenue
$ 83304330

Tevye

Golde

Motel

Yente

Lazar Wolf

Tzeitel

Hodel

Chava

Perchik

Fyedka

Shprintze

Bielke

Mordcha

Rabbi

Constable

Avram

Nachum

Mendel

Russian Official

Fruma Sarah

Grandma Tzeitel

Fiddler

Shandel

Yankel

Berl

Hone

Farcel

Moishe

Rifka

Ezekial

Sheftel

Sexton

Priest

Russian Dancer

Russian Dancer

Russian Dancer

Russian Dancer

Russian Dancer

Russian Dancer

Russian Dancer

Bottle Dancer

Bottle Dancer

Bottle Dancer

Bottle Dancer

Dancer (uncredited)

Village Band Member (uncredited)

Dancer (uncredited)

Village Band Member (uncredited)

Dancer (uncredited)

Dancer (uncredited)

Bashe (uncredited)

Yussel (uncredited)

Leibesh (uncredited)

Russian (uncredited)

Villager in Green Dress (uncredited)

Dancer (uncredited)

Gnessi (uncredited)

Village Band Member (uncredited)

Dancer (uncredited)

Bess (uncredited)

Isaac (uncredited)

(uncredited)

Village Band Member (uncredited)

Zelda (uncredited)

Dancer (uncredited)

One of Rabbi's students (uncredited)

Previous Rabbi (uncredited)

Dancer (uncredited)

Marcus (uncredited)

Dancer (uncredited)

Dancer (uncredited)

Nechama (uncredited)

Dancer (uncredited)

Man in Dream Sequence (uncredited)

Village Band Member (uncredited)

Village Band Member (uncredited)

Written by Geronimo1967 on 2023-05-29
Topol ("Tevye") is superb in this telling of a tale of an agrarian Jewish father in late 19th century Russia who has three daughters. The basic premiss is that he has to arrange suitable "matches" for them. With the aid of some classic numbers like "Matchmaker" & "If I was I Rich Man" we share his experiences and adventures as he attempts, with varying degrees of success, to find suitable husbands for his girls. Set against a backdrop of religious intolerance, and ultimately a pogrom, this is a clever, engaging depiction of the harsh conditions endured by rural Russians in general and the Jewish community specifically. Norman Jewison contrives to reconcile sometimes quite brutal stories of religious prejudice with a defiantly gentle, joyful communal spirit in a thought-provoking and personable fashion. Jerry Bock's instantly recognisable score - based around a delicate, witty and entertaining lyric from Sheldon Harnick makes this as good as any of the genre and although it does drag a bit at the start of the second act, it passes the three hour mark with considerable style.