Status
Released
original language
English
Budget
$ 25000000
Revenue
$ 34698685
Miss Riley
Homer Hickam
Quentin Wilson
John Hickam
Roy Lee
O'Dell
Elsie Hickam
Ike Bykovsky
Principal Turner
Jim Hickam
Leon Bolden
Dorothy Platt
Jake Mosby
Mr. Dantzler
Valentine Carmina
Coach Gainer
Jensen
Lenny
Trooper One
Kid
Neighbor
Neighbor
Neighbor
Anderson
Roper
Basil Thorpe
Corvette Guy
Corvette Girl
Vernon
Reverend
Rescue Worker
Chemistry Teacher
Doctor
Barney
Fred Smith
Moonshiner
Man at Mine
Miner
Miner
Quentin's Mom
Judge at Welch
Union Official
Union Official
Mr. Morris
Ivy League Girl
Ivy League Boy
Judge at Indy
Head Judge
Tom Webster
Jack Palmer
Wernher Von Braun
Miner in Elevator
Man in Crowd
Nurse
Locomotive Engineer
Written by r96sk on 2025-07-02
<em>'October Sky'</em> got me in the feels. I tend to (unintentionally) be a bit of a hardnose when it comes to fiction (even if a biopic) making an impact, but it does occasionally happen and this is one of those times. Weirdly too, because it is cheesy/cliché/whatever, but it worked tremendously for me. I felt my heartstrings tug a fair number of times throughout, culminating with those lovely final few scenes; I was actually welling up, would you believe? Any longer and tears may have been shed <i>*shudder*</i>. I've basically only seen one movie this last month - what has the break done to me?! Humour aside, I did love this though. I've said it before, but to be honest if you give me what I consider to be great cast performances then I'm practically sold on the film upon that coming to fruition. Jake Gyllenhaal is terrific (this still doesn't surpass <em>'Source Code'</em>, mind) as lead. Chris Cooper is ace, as are Laura Dern and Natalie Canerday. Chris Owen (Sherminator!), Chad Lindberg (Jesse!) and William Lee Scott (eh... well, Roy Lee as of now!) are good supports to Gyllenhaal as well. Even the likes of Elya Baskin and Randy Stripling add needed small bits. The music is good too, especially towards the end; early on it kinda goes with what I said about the flick being a tad cheesy and/or cliché. I would describe the movie as that to be frank, but that is more endearing than anything else. I'm fine with those things if it works, which it pleasantly does here. Joe Johnston really went back-to-back with this and <em>'Jumanji'</em>. Impressive!