Status
Released
original language
hi
Budget
$ 2500000
Revenue
$ 1097812
Constable Santosh Saini
Inspector Sharma
Inspector Thakur
Beniwal
Constable Kohli
Inspector Mundi
Priya
Head Constable Yadav
Constable Bimla
Constable Aravind
Constable Pandey
Mess Constable
Nehrat Constable #1
Nehrat Constable #2
Nehrat Constable #3
Nehrat Constable #4
Additional Constable #1
Additional Constable #2
Additional Constable #3
Ram Pippal
Rani Pippal
Devika Pippal
Roopa Pippal
Father Ravi
Mother Satya
Vikram
Anu
Grandma Kanta
Saleem
Saleem's Father
Saleem's Mother
Saleem's Sister #1
Saleem's Sister #2
Father-in-Law
Naveen
Commissioner
Silent Officer at Commissioner's House
Commissioner's Maid
Mortician
Morgue Assistant
Young Woman Complainant
Complainant's Mother
Complainant's Father
Raman
Pradhan
Meenu
Men at Pradhan House #1
Men at Pradhan House #2
Men at Pradhan House #3
Men at Pradhan House #4
Woman at Well
Old Man in Cot
Cycle Boy at Well
Village Woman
Yellow-Shirted Man at the well
Boy Giving Directions
Another Old Man at Village
Hostile Bearded Young Villager
Middle Aged Man at Village
Woman Protestor
Old Man Protestor
Pippal's Neighbor
Nehrat Autodriver
Butcher
Cobbler
Mess Manager
Staring Man
Pappu
Masood
Cricket Boy #1
Cricket Boy #2
Cricket Boy #3
Manu Dar
Hotel Manager
Middle Aged Male
Girl in Park
Boy in Park
Cocky Kid
Ravi
Teaboy
Young College Student
NDTV Reporter
Reporter #3
Tempo Driver
TV Anchor
Waiter Boy
Woman Pedestrian
Young Policeman
Hawker Girl
Hawker Girl's Friend
Motorcycle Driver
Boy in Street Gang
Brother-in-Law
VIP Guest #1
VIP Guest #2
VIP Guest #3
Old Man with Ice
Priest
Boy on Wall
Green-Shirted Man
Lover at Train Station #1
Lover at Train Station #2
Written by Geronimo1967 on 2025-01-14
Recently widowed and facing the loss of her home, the eponymous woman (Shahana Goswami) is offered a chance to take over her late husband's job as a police officer. Having basically inherited his post without any training, her first task is to work with the no-nonsense "Insp. Sharma" (Sunita Rajwar) on an horrific case in which a young girl has been brutally raped and unceremoniously dumped in a fairly lawless area of Northern India. Disgusted by the crime and by the societal attitudes of many of those the investigations touches - who mostly couldn't care less - we alight on a candidate for the crime and what ensues tests not just her mettle as a police officer but her own morals as the methods of interrogation employed by her new boss are not exactly court-ordered. That's the potent thrust of this film for me, and I didn't find that to sit so easily. The atrocity of the crime is symptomatic of cultural attitudes amidst a society where women are little better than chattels to be used and disposed of by men as required. The question of ethics starts to loom large, though, when the suspect is treated with a brutality that asks whether two wrongs make a right. It's a sort of vigilante justice that pays scant, if any, regard for due process and begs huge questions which are addressed quite poignantly at the very denouement of this quite harrowing and thought-provoking drama. The acting itself is all adequate enough but I thought Goswani relied too much on long pauses and silences to convey the sense of conflict faced by her character as the plot developed. She's not helped by the staccato writing that can hit some potent notes at times, but for the most part seems content to let what we are seeing do the work - and that left me feeling a little uneasy about the retributive elements of the drama. There's no doubt that it does provoke a conversation about women's rights in India and about their appalling position within a male-dominated hierarchy, but is throwing the rule of law under the police bus the answer?