Status

Released

original language

hi

Budget

$ 2500000

Revenue

$ 1097812

Top Billed Cast

Shahana Goswami

Constable Santosh Saini

Sunita Rajwar

Inspector Sharma

Naval Shukla

Inspector Thakur

Sanjay Bishnoi

Beniwal

Shashi Beniwal

Constable Kohli

Prashant Kumar

Inspector Mundi

Pratibha Awasthi

Priya

Manjul Azad

Head Constable Yadav

Anamika Gupta

Constable Bimla

Kuldeep Saini

Constable Aravind

Vipin Agarwal

Constable Pandey

Soumya Singh

Mess Constable

Deepak Sonkar

Nehrat Constable #1

Anjani Srivastava

Nehrat Constable #2

Sujeet Singh Yadav

Nehrat Constable #3

Arpit Kumar Mishra

Nehrat Constable #4

Gotendra Yadav

Additional Constable #1

Abhay Bachpaye

Additional Constable #2

Jitendra Singh

Additional Constable #3

Anil Gudiya

Ram Pippal

Sangama Tharu

Rani Pippal

Nandini Tharu

Devika Pippal

Hariyali

Roopa Pippal

Sunil Thakur

Father Ravi

Geeta Tyagi

Mother Satya

Kushal Dubey

Vikram

Ananya Thakur

Anu

Manju Gupta

Grandma Kanta

Arbaz Khan

Saleem

Jamil Warsi

Saleem's Father

Ram Kumari

Saleem's Mother

Arvi

Saleem's Sister #1

Amna

Saleem's Sister #2

Shiv Deen Singh

Father-in-Law

Mridula Bhardwaj

Naveen

Ravi Gupta

Commissioner

Rakesh Kumar

Silent Officer at Commissioner's House

Nirmala Kashyap

Commissioner's Maid

Rajesh Kumar Awasthi

Mortician

Ashish Kumar

Morgue Assistant

Akriti Vishwakarma

Young Woman Complainant

Shashi Kiran Yadav

Complainant's Mother

Ashok Yadav

Complainant's Father

Anuj Yadav

Raman

Shweta Jaiswal

Pradhan

Yogi Yadav

Meenu

Prabhat Kumar Lahiri

Men at Pradhan House #1

Brij Bhushan Shukla

Men at Pradhan House #2

Afzal

Men at Pradhan House #3

Salman Khan

Men at Pradhan House #4

Jaya Varma

Woman at Well

Cheddilal

Old Man in Cot

Aman

Cycle Boy at Well

Soniya Singh

Village Woman

Dilip

Yellow-Shirted Man at the well

Piyush

Boy Giving Directions

Zubair Siddiqui

Another Old Man at Village

Abhishek Kumar

Hostile Bearded Young Villager

Niyaz Khan

Middle Aged Man at Village

Sonam Gupta

Woman Protestor

Rakesh Sharma

Old Man Protestor

Ram Kishore

Pippal's Neighbor

Avinash Baba

Nehrat Autodriver

Shane Ahmad

Butcher

Rakesh Kumar

Cobbler

Arvind Kumar

Mess Manager

Asif Rahman

Staring Man

Umakant Maurya

Pappu

Ashutosh Tripathi

Masood

Shubham Katiyar

Cricket Boy #1

Swarnim Srivastava

Cricket Boy #2

Ayush Shahi

Cricket Boy #3

Ravi Tripathy

Manu Dar

Pradeep Kumar

Hotel Manager

Ashok Kumar Yadav

Middle Aged Male

Yashika Tyagi

Girl in Park

Akarsh Srivastava

Boy in Park

Aman

Cocky Kid

Ashok Kumar

Ravi

Tiger

Teaboy

Abhishek Yadav

Young College Student

Komal

NDTV Reporter

Tarun Pratap Singh

Reporter #3

Anand Kumar Pal

Tempo Driver

Megha Chauhan

TV Anchor

Harshit Shukla

Waiter Boy

Preeti Singh

Woman Pedestrian

Ajay Kumar Gaudh

Young Policeman

Anjali

Hawker Girl

Pooja

Hawker Girl's Friend

Mohammad Arif

Motorcycle Driver

Arshan Siddique

Boy in Street Gang

Yogesh Mudgal

Brother-in-Law

Niyaz Ahmad Khan

VIP Guest #1

Zuber Ahmad

VIP Guest #2

Prakash 'Kallu' Kumar

VIP Guest #3

Nadir Ali

Old Man with Ice

Ashish Mishra

Priest

Munna

Boy on Wall

Abhishek Kumar

Green-Shirted Man

Vishal Singh

Lover at Train Station #1

Rajeshwari

Lover at Train Station #2

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Movie Reviews

A review by Geronimo1967

Written by Geronimo1967 on 2025-01-14

Recently widowed and facing the loss of her home, the eponymous woman (Shahana Goswami) is offered a chance to take over her late husband's job as a police officer. Having basically inherited his post without any training, her first task is to work with the no-nonsense "Insp. Sharma" (Sunita Rajwar) on an horrific case in which a young girl has been brutally raped and unceremoniously dumped in a fairly lawless area of Northern India. Disgusted by the crime and by the societal attitudes of many of those the investigations touches - who mostly couldn't care less - we alight on a candidate for the crime and what ensues tests not just her mettle as a police officer but her own morals as the methods of interrogation employed by her new boss are not exactly court-ordered. That's the potent thrust of this film for me, and I didn't find that to sit so easily. The atrocity of the crime is symptomatic of cultural attitudes amidst a society where women are little better than chattels to be used and disposed of by men as required. The question of ethics starts to loom large, though, when the suspect is treated with a brutality that asks whether two wrongs make a right. It's a sort of vigilante justice that pays scant, if any, regard for due process and begs huge questions which are addressed quite poignantly at the very denouement of this quite harrowing and thought-provoking drama. The acting itself is all adequate enough but I thought Goswani relied too much on long pauses and silences to convey the sense of conflict faced by her character as the plot developed. She's not helped by the staccato writing that can hit some potent notes at times, but for the most part seems content to let what we are seeing do the work - and that left me feeling a little uneasy about the retributive elements of the drama. There's no doubt that it does provoke a conversation about women's rights in India and about their appalling position within a male-dominated hierarchy, but is throwing the rule of law under the police bus the answer?