Status
Released
original language
English
Budget
$ 55000000
Revenue
$ 42656409

Bruce Springsteen

Jon Landau

Mike Batlan

Douglas Springsteen

Faye Romano

Al Teller

Adele Springsteen

Matt Delia

Barbara Landau

Chuck Plotkin

Young Bruce Springsteen

Viv

Joey Romano

Jimmy Iovine

Dennis King

Toby Scott

Faye's Father

Faye's Mother

Haley

Haley

Virginia Springsteen

New Car Dealer

Bartender

Psychiatrist

Clarence Clemons

Stevie Van Zandt

Max Weinberg

Roy Bittan

Danny Federici

Garry Tallent

Fan Passing in Taxi

Gladys

Cats on a Smooth Surface - Lead Singer

Cats on a Smooth Surface - Guitarist

Cats on a Smooth Surface - Bassist

Cats on a Smooth Surface - Drummer

Cats on a Smooth Surface - Keyboards

Texas Band - Guitar

Texas Band - Pedal Steel

Texas Band - Guitar #2

Texas Band - Bass

Texas Band - Drummer
Written by msbreviews on 2025-10-22
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/springsteen-deliver-me-from-nowhere-review/ "Springsteen: Deliver Me from Nowhere is an overly safe picture, which fulfills the role of educating a lay viewer on the origin of Nebraska and provides musically interesting moments. However, by trading psychological complexity for the predictability of a fictional romance and shallowly treating its heavier themes, it ultimately reveals itself to be a lost opportunity to transcend the limitations of the biopic genre and its own premise. Its true power lies in reminding us that the deepest art often comes from the courageous confrontation with internal darkness." Rating: C+

Written by NSWMGN on 2025-10-26
a heartfelt but uneven portrait of springsteen’s creative process. it captures the boss’s spirit and solitude, but feels more like a reverent museum piece than a living, breathing story. great music, strong interviews, but the spark fades before the credits roll

Written by Geronimo1967 on 2025-11-07
Of all of the recent spate of rock star biopics, I think this is probably the weakest I’ve seen. That’s not because Jeremy Allen White doesn’t convince. For the most part he does. It’s that they have picked a part of his life that showcases this man’s search for his own version of emotional, musical and acoustic perfection, and it’s not really that interesting. Neither, I found, was the somewhat shallow depiction of his commitment-phobe relationship with Faye (Odessa Young). Supported creatively and emotionally by Jon Landau (Jeremy Strong), that element at least gives us some sense of the pressures on this man to deliver, production line style, hit after hit for their record label masters and for a public with a voracious appetite for new content but would it been better to have presented a longer, more comprehensive look as his career? I think probably yes, unless there are plans for a sequel because this tantalises in small measure but frustrates more without really delivering anywhere near enough of the music that gets us watching in the first place. The design looks great, the clothes and the cars and the cassette recorders but I’m afraid I found this all just a bit too superficial a look at a man with genius and flaws. Worth a watch, but disappointing.