Status
Released
original language
English
Budget
$ 20000000
Revenue
$ 37483747
David Shayne
Cheech
Helen Sinclair
Olive Neal
Ellen
Eden Brent
Warner Purcell
Nick Valenti
Sid Loomis
Sheldon Flender
Julian Marx
Rocco
Waterfront Hood
Waterfront Hood
Waterfront Hood
Waterfront Hood
Waterfront Hood
Waterfront Hood
Waterfront Hood
Three Deuces Chorus Line
Three Deuces Chorus Line
Three Deuces Chorus Line
Three Deuces Chorus Line
Three Deuces Chorus Line
Three Deuces Chorus Line
Three Deuces Chorus Line
Three Deuces Chorus Line
Three Deuces Chorus Line
Three Deuces Chorus Line
Maitre d'
Sal
Rita
Lili
Rifkin
Cafe Waiter
Josette
Movie Theatre Victim
Movie Theatre Victim
Venus
Mitch Sabine
Lorna
Speakeasy Waiter
Hilda Marx
Vi
Hood
Hood
Helen's Party Guest
Helen's Party Guest
Stagehand
Backstage Well-Wisher
Backstage Well-Wisher
Aldo
Theater Well-Wisher
Theater Well-Wisher
Theater Well-Wisher
Olive's Understudy
Man at Theatre
Waterfront Hood (uncredited)
Wiseguy (uncredited)
Movie Theatre Hitman (uncredited)
Party Guest (uncredited)
Night Club Patron (uncredited)
Flapper (uncredited)
Movie Theatre Hitman (uncredited)
Written by Geronimo1967 on 2024-12-07
Despite his obvious enthusiasm, "Shayne" (John Cusack) can't convince producer (Jack Warden) to raise the cash to put on his latest play. There's just no demand for it, especially as his first two efforts didn't exactly set the heather on fire. Then an opportunity presents itself. It's one with compromise, though. He can have the thing fully funded if he agrees to cast "Olive" (Jennfer Tilly). Snag? Well she couldn't act her way out of a paper bag and has one of those squeaky voices that killed so many a silent-film star! Her boyfriend, "Nick" (Joe Viterelli) is the local kingpin so it's a straight choice - cast her or no cash. Much to the chagrin of the uber-theatrical "Helen" (Dianne Wiest) he decides to sacrifice his honour for his art, and what now ensues sees this mix of thespians, crooks, amateurs and temper-tantrums try to get the play on the stage. Just to make sure she's OK, her boyfriend has sent his enforcer "Cheech" (Chazz Palminteri) as a bit of security for "Olive" and his no-nonsense approach to the production histrionics of the whole thing initially brings him into conflict with the director, but gradually "Shayne" begins to realise that "Cheech" has a bit of an aptitude for writing, and so a collaboration of sorts emerges that against all the odds might just give this thing a fighting chance. Wiest is at her best here delivering a sort of "Streisand" meets "Norma Desmond" character that epitomises that generation of film star who really did believe their own publicity machine. Cusack also does well, as does Palminteri and there's an engagingly (and annoyingly) lively effort from Tilly who plays the rather witless moll to a T. It's funny at times, especially if you've ever worked in the theatre and packs quite a lot of entertainment, and swipes at that very industry, into a ninety minutes that hits the ground running and rarely stops for breath. One of Woody Allen's more original concepts that takes him away from his routine man-with-neuroses comfort, is stylishly put together, and is well worth a watch.