Status

Released

original language

English

Budget

$ 20000000

Revenue

$ 37483747

Top Billed Cast

John Cusack

David Shayne

Chazz Palminteri

Cheech

Dianne Wiest

Helen Sinclair

Jennifer Tilly

Olive Neal

Mary-Louise Parker

Ellen

Tracey Ullman

Eden Brent

Jim Broadbent

Warner Purcell

Joe Viterelli

Nick Valenti

Harvey Fierstein

Sid Loomis

Rob Reiner

Sheldon Flender

Jack Warden

Julian Marx

Tony Sirico

Rocco

Victor Colicchio

Waterfront Hood

Louis Eppolito

Waterfront Hood

Gene Canfield

Waterfront Hood

Peter Castellotti

Waterfront Hood

Tony Conforti

Waterfront Hood

John Di Benedetto

Waterfront Hood

John Ventimiglia

Waterfront Hood

Lisa Arturo

Three Deuces Chorus Line

Rachel Black

Three Deuces Chorus Line

Alison Cramer

Three Deuces Chorus Line

Kelly Groninger

Three Deuces Chorus Line

Jennifer Lamberts

Three Deuces Chorus Line

Carol Lee Meadows

Three Deuces Chorus Line

Jo Telford

Three Deuces Chorus Line

Meghan Strange

Three Deuces Chorus Line

Leigh Torlage

Three Deuces Chorus Line

Debra Wiseman

Three Deuces Chorus Line

Paul Herman

Maitre d'

James Reno

Sal

Stacey Nelkin

Rita

Małgorzata Zajączkowska

Lili

Charles Cragin

Rifkin

Gerald E. Dolezar

Cafe Waiter

Nina von Arx

Josette

Shannah Laumeister Stern

Movie Theatre Victim

Fran McGee

Movie Theatre Victim

Annie-Joe Edwards

Venus

Brian McConnachie

Mitch Sabine

Edie Falco

Lorna

Kernan Bell

Speakeasy Waiter

Hope W. Sacharoff

Hilda Marx

Debi Mazar

Vi

Nick Iacovino

Hood

Frank Aquilino

Hood

Sohrab Ardeshir

Helen's Party Guest

Molly Regan

Helen's Party Guest

Phil Stein

Stagehand

John Doumanian

Backstage Well-Wisher

Dayle Haddon

Backstage Well-Wisher

Tony Darrow

Aldo

Howard Erskine

Theater Well-Wisher

Benay Venuta

Theater Well-Wisher

Ken Roberts

Theater Well-Wisher

Jennifer Van Dyck

Olive's Understudy

Peter McRobbie

Man at Theatre

José Alvarez

Waterfront Hood (uncredited)

John Glenn Hoyt

Wiseguy (uncredited)

Jeff Mazzola

Movie Theatre Hitman (uncredited)

Bruce Roberts

Party Guest (uncredited)

Patty Sherman

Night Club Patron (uncredited)

Bebie Waller

Flapper (uncredited)

Rick Washburn

Movie Theatre Hitman (uncredited)

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Movie Reviews

A review by Geronimo1967

Written by Geronimo1967 on 2024-12-07

Despite his obvious enthusiasm, "Shayne" (John Cusack) can't convince producer (Jack Warden) to raise the cash to put on his latest play. There's just no demand for it, especially as his first two efforts didn't exactly set the heather on fire. Then an opportunity presents itself. It's one with compromise, though. He can have the thing fully funded if he agrees to cast "Olive" (Jennfer Tilly). Snag? Well she couldn't act her way out of a paper bag and has one of those squeaky voices that killed so many a silent-film star! Her boyfriend, "Nick" (Joe Viterelli) is the local kingpin so it's a straight choice - cast her or no cash. Much to the chagrin of the uber-theatrical "Helen" (Dianne Wiest) he decides to sacrifice his honour for his art, and what now ensues sees this mix of thespians, crooks, amateurs and temper-tantrums try to get the play on the stage. Just to make sure she's OK, her boyfriend has sent his enforcer "Cheech" (Chazz Palminteri) as a bit of security for "Olive" and his no-nonsense approach to the production histrionics of the whole thing initially brings him into conflict with the director, but gradually "Shayne" begins to realise that "Cheech" has a bit of an aptitude for writing, and so a collaboration of sorts emerges that against all the odds might just give this thing a fighting chance. Wiest is at her best here delivering a sort of "Streisand" meets "Norma Desmond" character that epitomises that generation of film star who really did believe their own publicity machine. Cusack also does well, as does Palminteri and there's an engagingly (and annoyingly) lively effort from Tilly who plays the rather witless moll to a T. It's funny at times, especially if you've ever worked in the theatre and packs quite a lot of entertainment, and swipes at that very industry, into a ninety minutes that hits the ground running and rarely stops for breath. One of Woody Allen's more original concepts that takes him away from his routine man-with-neuroses comfort, is stylishly put together, and is well worth a watch.