Status

Released

original language

English

Budget

$ 60000000

Revenue

$ 80154140

Top Billed Cast

John Cusack

Nick Easter

Gene Hackman

Rankin Fitch

Dustin Hoffman

Wendell Rohr

Rachel Weisz

Marlee

Bruce Davison

Durwood Cable

Bruce McGill

Judge Harkin

Jeremy Piven

Lawrence Green

Leland Orser

Lamb

Nick Searcy

Doyle

Nestor Serrano

Janovich

Stanley Anderson

Henry Jankle

Cliff Curtis

Frank Herrera

Rusty Schwimmer

Millie Dupree

Gerry Bamman

Herman Grimes

Jennifer Beals

Vanessa Lembeck

Luis Guzmán

Jerry Fernandez

Guy Torry

Eddie Weese

Rhoda Griffis

Rikki Coleman

Bill Nunn

Lonnie Shaver

Marguerite Moreau

Amanda Monroe (Fitch's Assistant)

Juanita Jennings

Loreen Duke

Nora Dunn

Stella Hulic

Joanna Going

Celeste Wood

Jason Davis

Phillip Savelle

Xuan Van Nguyen

Henry Wu

Carol Sutton

Lou Dell

Dylan McDermott

Jacob Wood (victim)

Deacon Dawson

Hoppy Dupree

David Ramsey

Jimmy Hoke

Ned Bellamy

Jerome

Orlando Jones

Russell

Margo Moorer

Kaufman

David Dwyer

Birk

Michael Arata

Raines

Wayne Ferrara

Agent Novecki

Fahnlohnee R. Harris

Sylvia Deshazo

Corri English

Lydia Deets

Douglas M. Griffin

Terry Docken

Deneen Tyler

Receptionist

Zach Hanner

Ted

Andrea Powell

Deborah

Ted Manson

Pulaski

David Jensen

Shamburg

Lori Heuring

Maxine

Adella Gautier

Voodoo Shopkeeper

Afemo Omilami

SUV Driver

Barret O'Brien

Techie

Michelle M. Miller

Reporter #1

Eric Paulsen

Reporter #2

Margaret Lawhon

Reporter #3

Gary Grubbs

Dobbs

Lark Marie Fall

Singing Woman

Marco St. John

Daley

Henry Darrow

Sebald

Don Henderson Baker

Thernstrom

Danny Kamin

Cash

Lance E. Nichols

Agent Shield

Elliott Street

Ringwald

Mike Pniewski

Strode

Joe Chrest

Owens

Marcus Hester

Kyle Murphy

Mark Jeffrey Miller

Vaughn

Stuart Greer

Kincaid

Lara Grice

Blonde Decoy

Peter Jurasik

Professor Phelan

Shannon Eubanks

Phyllis

Celia Weston

Mrs. Brandt

Harvey Reaves

Agent Crowley

Irene Ziegler

Peg Grimes

Ed Nelson

George Dressler

Bernard Hocke

Mason Foley

Loren Kinsella

Cafe Waitress

Wayne Roberts

Clerk

Mark Krasnoff

Aggressive Reporter

Christopher Mankiewicz

Bartender

Cedric Pendleton

Homeboy

Perry Brown

Potential Juror #1

Don Hood

Potential Juror #2

Elizabeth Omilami

Potential Juror #3

Claudia Coffee

Reporter #4

Charlie Detraz

Reporter #5

Sally Ann Roberts

Reporter with Cable

Kathy Seiden

Kathy

Jack Massey

Henry Wood

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Movie Reviews

A review by Geronimo1967

Written by Geronimo1967 on 2022-09-06

This offers quite an interesting look at just how seriously big business takes the selection of a jury, when large amounts of money are at stake. Gene Hackman is "Fitch", a man who makes a very good living acting on behalf of these organisations. His job is to probe into the private lives of prospective jurors, of their loves, peccadillos, politics - looking for weaknesses or reasons not to select them. This case involves one of the most contentious in the US pantheon of criminal law - the right to bear arms, and it falls to "Rohr" (Dustin Hoffman) to bring an action against a weapons manufacturer that is going to be tough. As the case proceeds, we are introduced to the less honourable nature of one of the jurors, and his girlfriend who have a plan of their own - and, as you'd expect, there is money and pressure being applied to ensure that the jury reach the "correct" verdict. Intriguing as the plot is, though, the film itself stutters along without much innovation. The courtroom scenes are a bit dreary and once we have established the premiss, Hackman's efforts are all rather repetitive and become less and less menacing and sophisticated as the story slips into a rather mediocre melodrama of private life shenanigans. Hoffman is adequate, no more, as are Rachel Weisz and John Cusack as the eagerly duplicitous but not awfully bright "Easter". Based on one of John Grisham's more inventive stories - nobody ever actually wants to be on a jury - this loses much in it's translation to film and by the mid-point I was really pretty turned off by the whole thing. It's watchable, but becomes more preposterous as it proceeds to a conclusion that, though not quite what you might expect, is still a bit flat.