Status
Released
original language
English
Budget
$ 2000000
Revenue
$ 0
Paul Whiteman
Vocalist ('Song of the Dawn' / 'It Happened in Monterey')
Editor ('Ladies of the Press') / Stenographer ('In Conference') / Quartet Member, 'Nellie'
Vocalist ('It Happened in Monterey' / 'Bridal Veil' / 'A Bench in the Park')
Executive ('In Conference') / Unmarried Husband
General ('All Noisy on the Eastern Front') / Goldfish Owner ('Oh! Forevermore!') / Unmarried Couple's Offspring / Vocal ('Do Things For You')
Automobile Owner ('Springtime') / Rear End of Horse / Charles
Fourth Reporter ('Ladies of the Press')
Chorine (as Beth Laemmle)
Bridegroom ('Bridal Veil' / 'A Bench in the Park')
Himself, Announcer / Soldier ('All Noisy on the Eastern Front')
Dancer ('It Happened in Monterey' / Vocalist 'A Bench in the Park' / 'Ragamuffin Romeo')
Jack White
Quartet Lead Singer ('Nellie')
Desk Sergeant ('Springtime') / Soldier ('All Noisy on the Eastern Front') / Waiter ('Oh! Forevermore!') / Front End of Horse / Quartet Member ('Nellie')
Quartet Member ('Nellie')
First Pianist at Giant Piano ('Rhapsody in Blue') / Quartet Member ('Nellie') (as Johnson Arledge)
Rubber Legs Dancer ('Happy Feet')
Voodoo Dancer ("Rhapsody in Blue")
Dancer
Specialty Dancer 'Ragamuffin Romeo' / 'Melting Pot'
Specialty Dancer 'Ragamuffin Romeo'
Bobbe (as The Brox Sisters)
Kathlyn (as The Brox Sisters)
Lorraine (as The Brox Sisters)
Trio Singer (as The Rhythm Boys)
Automobile Owner's Wife ("Springtime") / Marie ("All Noisy on the Eastern Front") (uncredited)
Child ('Bridal Veil') (uncredited)
Emcee - Hungarian Version
Blonde ("A Bench in the Park") (uncredited)
Written by Geronimo1967 on 2024-02-12
The title of this film is a touch misleading. I was expecting much more of a jazz-based musical revue but instead got pretty much a whole gamut of colourful and precisely staged repertoire. Paul Whiteman and his accomplished orchestra provide the conduit, as it were, as a variety of performers sing, dance and make us laugh (or cringe) for the next hundred minutes. There's a bit of Bing Crosby's first screen appearance with the "Rhythm Boys" doing a lively version of "Happy Feet" and probably my favourite staging of George Gershwin's "Rhapsody in Blue" - featuring an orchestra within the belly of the grandest of pianos. What this illustrates really effectively is the huge variety of musical skills that audiences in 1930 could expect to see, and at just how versatile the orchestra was when it came to playing themes from just about every genre. Whoever thought about playing some patriotic Souza on a bicycle pump? It looks great and it sounds good but for me, not being an American, too many of the acts - especially the comedy - didn't really travel. The production itself, though probably impractical to deliver, needed a live audience to breathe some life into it. The skills there are superb, but the whole thing is just a bit sterile and lifeless. As an history of what engaged the American people in the 1920s, this in still an interesting piece of entertainment nostalgia, though - and it is worth a watch.