Status

Released

original language

English

Budget

$ 130000000

Revenue

$ 190800000

Top Billed Cast

Leonardo DiCaprio

Bob

Sean Penn

Col. Steven J. Lockjaw

Chase Infiniti

Willa

Benicio del Toro

Sensei Sergio St. Carlos

Regina Hall

Deandra

Teyana Taylor

Perfidia

Wood Harris

Laredo

Tony Goldwyn

Virgil Throckmorton

D.W. Moffett

Bill Desmond

Paul Grimstad

Sommerville

Dijon

Talleyrand

Kevin Tighe

Roy More

John Hoogenakker

Tim Smith

Eric Schweig

Avanti

April Grace

Sister Rochelle

Jim Downey

Sandy Irvine

Alana Haim

Mae West

Shayna McHayle

Junglepussy

Brooklyn Demme

Sober Rick

Sachi Diserafino

R.A. Rippey

Melissa Dueñas

Sylvia

Starletta DuPois

Grandma Minnie

Vanessa Ganter

Momma Sandrae

Otillia Gupta

Newborn Baby Charlene

Nia Leon

Baby Charlene

Peter N. Lyas III

Bank Security Guard

Joe Silva

Sgt. Joe

Jeffrey Massagli

Official Lockjaw Award

Nicole J. Sunseri

Witness Protection Officer

Tisha Sloan

Willa's Teacher

Alberto Garcia

Snap Crackle Pop Kid

Antonio Tadeo Garcia

Snap Crackle Pop Kid

Patricia Ridgely-Storm

Alice More

Ted McCarthy

Christmas Ted

Jeremy Boone

CAC Security

James Raterman

Danvers

Bryan Pickens

Billy Toejam

Travis Johnston

Soldier

Matthew Demildt

Soldier

Jason Belford

Soldier

Matthew McDonnell

Soldier

Jose L Barreiro

Soldier

Quentin L. Carter

Soldier

Brian Bishop

Soldier

Daniel Zinoviev

Soldier

Steven Knoll

Military Man

Sam Hunter

Military Man

Louis Hoffman

Military Man

Steven P. Jacobson

Military Man

Justin Millmore

Military Man

Peter Sutherland

Military Man

Carlos McFarland

Bluto

Colton Gantt

Bobo

Elisabeth Pease

RiRi

Autumn Crosswhite

Autumn

Mickey Giacomazzi

Deandra's Van Driver

Omar Khattab

Principal

Stephanie Coker Aderonokun

Bathroom Girl

Kayla Harvey

Bathroom Girl

Kimberlyn Ramirez Moreno

Bathroom Girl

Sydney Ann Taylor

Bathroom Girl

Maria Fernanda Jimenez Nava

Bathroom Girl

Jena Malone

Greeting Code (voice)

Dan Chariton

Comrade Josh

Sandra Iturbe

Reina

Marisela Borjas Ramirez

Marisela

Derrick J. Saenz

Primo Derrick

Esperanza Rodarte De Santoyo

Esperanza

Hadasa Genesaret Palomares

Sacred Heart

Gilberto Martinez Jr.

BeeGee

Luis Trejo

Luis

Julian Corral

Julian

Elijah Joseph Sambrano

Latino Heat

Sherron Gassoway

Sister Vox

Pearl Minnie Anderson

Sister Coco

Sister Kate

Sister

Sister Halla

Sister

Sister Lilly

Sister

Sister Esme

Sister

Sister Karina

Sister

Sister Laura

Sister

Sister Delphi

Sister

Sister Yuka

Sister

Bella Feinstein

Sister

Madison Feinstein

Sister

Tuesday Hansen

Sister

Zoe Herschlag

Sister

J. Izon

Sister

Joanna Scott Satterwhite

Sister

Robert Sherock

Paddy Wagon Cop

Lynette M. Telles

Police Station Nurse

Pamela Limbaugh-Brouhard

Hospital Nurse

Antonio Garcia

Tacos T-Shirt

Emilio Carranza

Fruit Stand Tio

Juan V. Ramirez

Fruit Stand Primo

Ron Bermudez Perea

Fruit Stand Primo

Edith Ascencion

Sensei Sheriff

David Reynoso

Sensei Sheriff

Timothy Cruz Kravitz

1776 Relentless

Jon Beavers

1776 James

Anthony Weise

CB Radio

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Movie Reviews

A review by msbreviews

Written by msbreviews on 2025-09-29

FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/one-battle-after-another-movie-review-a-star-is-born-in-one-of-the-years-best-and-most-important-films/ "One Battle After Another is a technical feat, a movie with brilliant performances and a thematic density that can only be truly processed after multiple viewings over time. It's a chaotic, intense, and surprisingly hilarious examination of the state of America, the weight of history, and how the fight for a better future is passed from one generation to the next. The entire cast is phenomenal, but newcomer Chase Infiniti is a true revelation, delivering a captivating and emotionally powerful performance that perfectly embodies the theme of generational hope. While I don't share the hyperbole generated by the initial reactions, it's clearly one of the most important and well-made films of the year. Driven by a masterful score and a sharp script from Paul Thomas Anderson, where every detail matters, it's a dense story about the battles we cannot escape and the family we fight for. Rating: A-

A review by gvasil

Written by gvasil on 2025-09-30

The undisputed film of the year has only been in theaters for 4 days, yet it has already captivated audiences and critics alike, and not without reason. Amidst hundreds of mediocrities released every year, a film finally emerges that emphatically has something to say. And indeed, at the most suitable social and historical moment. The film narrates the lives of people who chose to take action against the man-eating capitalist system of the 21st century, which inevitably degenerates into a fascist regime when reactions grow. And primarily, it focuses on the consequences these individuals face from the vengeful state apparatus, which sweeps away anything and anyone who dares to oppose it. The film was released in theaters on September 26, 2025, before the first year of Donald Trump's second presidential term was even completed, and more than 3 years before the next presidential elections. Paul Thomas Anderson (PTA), writing and directing One Battle After Another, takes a clear political stance on what is happening in the United States and globally. The film may take place in the US, but it does not focus on specific individuals, not even as institutions, and thus could refer to any country where democracy is ailing. The mastery of direction and the musical score is such that time flows relativistically quickly for the viewer, making the nearly 3-hour duration evaporate before you realize you’ve entered the theater. From a directorial perspective, new pages of cinematic history have been written, culminating in the car chase on the hilly Texas Dip highway of Borrego Springs. The performances of the exceptional cast are all very good, without any one standing out as Oscar-worthy. Sean Penn once again showcases his talent in the role of the villain, possessing the unique gift of becoming truly unlikable to the viewer in such roles (see Carlito’s Way, etc.). However, the essence and power of the film is undoubtedly its political message. Through the vehicle of fiction, Paul Thomas Anderson releases his political manifesto, which leaves no room for misinterpretation. From the title of the film to the shot of DiCaprio watching the film "The Battle of Algiers" by Gillo Pontecorvo, the message is clear. When democracy and individual freedoms are under attack, citizens must take action. In contrast, however, to "The Battle of Algiers," where we observe, in part, historical events that took place during Algeria's liberation struggle against French imperialism, in Anderson's film we become spectators of events that have not yet occurred, at least not in the United States. Yes, protests, and indeed massive ones, have taken place and are happening more frequently lately. But the film One Battle After Another does not propose sit-ins and placards as a solution. On the contrary, it primarily serves as a manual on the "how:. The "when", is still unknown. One thing is certain. American society is boiling. And some are preparing. On both sides.

A review by Geronimo1967

Written by Geronimo1967 on 2025-10-10

A group of would-be revolutionaries in the USA storm an immigration centre and whilst they manage to free many of it’s captives, their leader “Perfidia” (Teyana Taylor) manages to make quite an impression on it’s commander “Lockjaw” (Sean Penn). Sadly for her though, she doesn’t remain free for very long afterwards but in that meantime she and fellow rebel “Bob” (Leonardo DiCaprio) have managed to have a baby. Spool on and now she is a teenager living quietly with her dad, entirely unaware of her dangerous provenance. “Lockjaw” has no intention of forgetting the slight paid to him, and when he cottons on to their location he sends in his heavies. She is apprehended, he escapes, and the rest of this follows his adventures as he tries to mobilise his old friends and rescue his daughter “Willa” (Chase Infiniti). Now this looks great, the pace is pretty break-neck and the dialogue is quick-fire and frequently quite pithy as we merge a series of scenarios that reminded me of the “A-Team”. DiCaprio looks like he is enjoying himself, as does Penn, but both of their characters and the underlying conspiratorial plot are disappointingly undercooked as the adventure builds and to it’s high octane conclusion. Does it really need to be so long? I’m not so sure. It does come across as a little disjointedly episodic at times but it is also politically bang-on (depending on your perspective) as it capitalises on currently salient points around immigration, corporatisation and militarisation. I didn’t love it and I do think it has been over-hyped, but it’s still a solidly entertaining watch.

A review by Ditendra

Written by Ditendra on 2025-10-16

The movie is a woke pro- Antifa blockbuster & it's pushing far-left propaganda. The box office failure is a clear example of the sentiment "get woke go broke". It's basically a movie that glorifies & promotes terrorism (antifa is a terrorist organization). Avoid this propaganda garbage.